Entries from Austinist tagged with 'xfiles'
July 25, 2008
With the sucker punch to the gut that was The Dark Knight, Step Brothers provides some hearty laughs that aren’t even given away in the trailer (go figure!). While not nearly as sidesplitting as Apatow’s other productions and perhaps too little of heart and humanity, Step Brothers has some memorable parts that include man bits, boats and hos, and a singing voice likened to a mixture of Fergie and Jesus. It reminds us that Ferrell is still really funny without his 70s getups or sports movies, and, really, we could watch a whole movie of Reilly’s facial expressions and doughy eyes. As long as Adam Scott doesn’t show up… ...
Continue Reading "New Movie Releases: Step Brothers, Kabluey and More!"January 8, 2008
Tomorrow's screening of Real Genius with John Gries in attendance is totally sold out (*sad face*). But cheer up--you can still enter our contest for a chance to win a pair of tickets to the 9:45pm screening of Napoleon Dynamite AND a pair of pajamas autographed by Laslo Hollyfeld himself!...
Continue Reading "Austinist Giveaway: John Gries at the Alamo"October 26, 2007
Normally we're wary of anything that hints of the pejorative chick-lit (or related single-twentysomething-hipster-trying-to- get-lucky-with-the-opposite-sex genre) as it's about as wispy-thin and over-played as emo haircuts. But Diane Vadino, whose debut novel is entitled Smart Girls Like Me, had credentials enough for us to take a closer look. Vadino was an original staff member of that magnetic bastion of literary cool, McSweeney's, who churn out more high-minded humor and literature than you could shake a......
Continue Reading "Diane Vadino presents Smart Girls Like Me"August 9, 2006
Spoiler alert: in this show, actors dress up like red cans and do stuff. That’s the long and the short of Rubber Repertory’s latest production with the straightforward title. For a show boldly proclaimed to the crowd as a “new breed of performance” by the guy that took our tickets (actor Lowell Bartholomee), the show is surprisingly safe (artistically speaking) – amounting to a rudimentary investigation of group dynamics, some X-Files moments, adolescent scare......
Continue Reading "Austinist Theatre Review: Red Cans"