When one thinks of B-movie icon Roger Corman's disciples, big names spring to mind: Coppola and Scorsese come first, followed by genre directors like Jack Hill. One name that's not so immediate is Monte Hellman, but for cinéastes, it's nearly as important. Hellman's films are often concerned with obsession, ambiguity, and genre in a manner that manages to be simultaneously intriguing, fairly abstract and avant-garde. ...