This Will Destroy You is a hyperbole with a wink, but only slightly. Masters of the thrash-y guitar climax borne of humble, pensive expositions, there's a lot to blow your hair back, and if you just had a messy break-up or a secondary relative die, you're probably going to be more susceptible to actual - albeit, temporary - destruction by the moving instrumental anthems they craft. ...

Sub Pop darlings Fleet Foxes performed to an attentive, sold-out crowd at Mohawk last night, supported by Seattle's The Dutchess and the Duke and locals Balmorhea. Austinist contributing photographer Ali Bagheri provided the photos. ...

By now it should be apparent that we at the Austinist think that Fleet Foxes are absolutely, 100% badass. After all, in the last three months we've touted the excellence of not only their eponymous debut LP, but also have we waxed eloquent on their Sun Giant EP—reading those reviews makes it pretty clear that this is a band whose return to Austin falls into the highly-anticipated category. Simply said, preceding this quintet is a reputation as a throwback to kinder, less electronic musical times, and they have garnered critical acclaim far and wide not only for their studio work, but also for their consistently-satisfying live show. The modest northwesterners use cascades of vocal harmonizing, led by talented frontman Robin Pecknold, and well-arranged instrumentation to make them a group more than worthy of Mohawk's hump day headline. ...

Minneapolis' intriguing and mostly-instrumental outfit, Dosh, headlines a deep and fascinating set Thursday night at Emo's. Dosh, aptly named after lead soundmaker Martin Dosh (sometimes drummer and co-songwriter for Andrew Bird), blends the electronic with folk and jazz and postrock and whatever else you can think of to form an energetic brand of ambiance—his new album, Wolves and Wishes, has received enthusiastic reviews, and the Martin Medeski & Wood comparisons lie not too far beneath the surface. Surely, this will be a show where the focus is multi-formed and looping is plentiful, as the absence of regular vocals will keep the eyes moving from instrument to instrument, allowing the musicianship and electronic handiwork of those on stage (often just Dosh himself) to shine through....

If you're not familiar with the industrious Balmorhea-ns, you're doing yourself a grave disservice, and, frankly, need to get in touch with the scene. The music is vast, yet meticulously restrained: melancholy, determined pianos slowly upended by cellos, soft-spoken conversations between two acoustic guitars, and distant, inscrutable audio samples that elaborate on what each piece seems to urgently chronicle. ...

The Church of the Friendly Ghost’s forte is bringing its audience a range of new sounds, and this Friday night is no exception as four Texas experimental musicians will take the stage at the Salvage Vanguard Theater paired with artist LORI 16MM, who will be projecting a film and visual installation....

With all due respect, It's easy to get lost in the scuffed gloss of Austin's rather self-aware indie-rock scene. Take it from us, and we honestly love the damned thing, in all of its shabby hipster glory. We just sometimes need a change of pace to keep a healthy perspective on all the different pockets of music in this crazy burg. This evening, we encourage you, if you're so inclined, to join us for an evening of solid, unconventional artistry in a scene that is thriving and gaining Austin national recognition for something other than our hallowed go-to bands. ...