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  <title xmlns="http://www.w3.org/2005/Atom">Austinist Monthly Favorites</title>
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    <id xmlns="http://www.w3.org/2005/Atom">1</id>
    <title xmlns="http://www.w3.org/2005/Atom">Condomania Lives!  Mobile Manor Next Trailer Park Casualty.</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsright" style="width:364px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080731_MobileManor.JPG"/&gt;&lt;br /&gt;&lt;a href="http://maps.live.com/?q=1717%20&amp;mkt=en-US&amp;FORM=BYLH#JnE9eXAuMTcxNyt0b29tZXklMmMrYXVzdGluJTJjK3R4JTdlc3N0LjAlN2VwZy4xJmJiPTMwLjY5NDYxMTU0NjYzMjMlN2UtOTYuNTU2MDkxMzA4NTkzOCU3ZTI5LjA3NTM3NTE3OTU1ODQlN2UtOTkuMzA4MTY2NTAzOTA2Mw=="&gt;Microsoft Live (with edits by Shilli)&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;The land underneath Mobile Manor, the trailer park off Barton Springs Road between Chuy's and Baby A's, is &lt;a href="http://www.statesman.com/business/content/business/stories/realestate/07/31/0731apartments.html?plckCurrentPage=1&amp;sid=sitelife.statesman.com"&gt;under contract to a developer&lt;/a&gt; with plans to build a five-story, 250 unit apartment complex behind a 4,900 square foot restaurant.  

&lt;p&gt;You may remember that the &lt;a href="http://www.bartonplaceaustin.com/"&gt;BartonPlace&lt;/a&gt; condos cause a bit of an &lt;a href="http://austinist.com/2008/06/27/wont_somebody_think_of_the_pecan_tr.php"&gt;uproar&lt;/a&gt; by replacing another trailer park nearby.  If you are in the Marcia Ball camp and didn't like those, you probably won't like this one either.  Of the 100 trees on the site, the developer has indicated that they plan to remove about 70, including about 10 trees with a diameter over 19 inches (the size required to be protected under &lt;a href="http://www.ci.austin.tx.us/trees/preserve_code.htm"&gt;Austin's tree preservation regulations&lt;/a&gt;).  &lt;a href="http://austinist.com/2007/09/20/lee_nichols_has.php"&gt;A task force has been looking at ways to change those regulations for several years&lt;/a&gt;, but no changes have yet been made.  As it currently stands, the fines for removing a tree are immaterial in the context of a multi-million dollar development, the penalties for failing to comply are too lenient (with &lt;a href="http://www.statesman.com/blogs/content/shared-gen/blogs/austin/courts/entries/2008/07/16/developer_indicted_in_south_au.html?cxntfid=blogs_austin_legal"&gt;one notable exception&lt;/a&gt;), replacing trees is a weak substitute, and the city staff is overly willing to allow developers to remove protected trees. Plus, a 19-inch diameter tree is huge and many species never reach that size.  We'd like to see protection extended to smaller trees, especially those that the city classifies as &lt;a href="http://www.ci.austin.tx.us/trees/downloads/class_list.pdf"&gt;Class One and Class Two&lt;/a&gt;. &lt;/p&gt;

&lt;p&gt;Even if you like BartonPlace, this new development may not ring your bell.  No renderings have been released, but the architects involved (Urban Design Group and Chiles Architects) are responsible for such &lt;a href="http://en.wikipedia.org/wiki/Eifs"&gt;EIFS&lt;/a&gt;-clad craptacticles as the &lt;a href="http://www.udg.com/zplaza_lofts.html"&gt;Plaza Lofts&lt;/a&gt; and &lt;a href="http://www.chilesarchitects.com/404.htm"&gt;404 Rio Grande&lt;/a&gt;.  Allowing more people to live in one of the nicest parts of Austin is a beautiful thing, but it would be a wasted opportunity to build suburbanesque trash in such a special location.  Hopefully the developers will step up, preserve the pecans and other high quality trees on the lot, and build something at least as nice as the planned developments nearby.  No public hearings or city council approval is required, so hope is all we have.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/31/condomania_lives_mobile_manor_next.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Shilli</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">2</id>
    <title xmlns="http://www.w3.org/2005/Atom">The Daily Photoist: August 11, 2008</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;em&gt;Every weekday morning we'll be featuring a photo (or two) from our readers. Please feel free to submit your photos (min 600px width) by adding them to the &lt;a href="http://www.flickr.com/groups/austinist/"&gt;Austinist Flickr Group&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Keepin' Austin Weird&lt;/strong&gt;&lt;br /&gt;
&lt;font size="1"&gt;BY SHELLEY ZIEREN (via email)&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;
&lt;div style="width:640px;"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080811_081108a.jpg" border="0"&gt;&lt;/div&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;*Uncensored and possibly NSFW photo after the jump*&lt;/em&gt;&lt;img src="http://www.escapeest.com/images/austinist/080811_081108.jpg" border="0"&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/11/the_daily_photoist_august_11_2008.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Justin Cox</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">3</id>
    <title xmlns="http://www.w3.org/2005/Atom">United States Art Authority Closed</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsright" style="width:314px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080728_usaa_comp.jpg"/><br/></div></div>United States Art Authority, the mixed-use space adjacent to Spiderhouse, announced today that it is closing its doors, owing to "unforeseen issues" with the City of Austin.

<p>Since opening last year, the former plasma center has hosted a wide variety of interesting and action-packed events, from <a href="http://austinist.com/2008/02/15/fashion_freakou.php">fashion shows</a> and a <a href="http://austinist.com/2008/02/07/thrashed_art_on.php">skateboard art exhibit</a> to <a href="http://austinist.com/2008/07/08/chit_chat_lovey_and_lovey_hit_usaa.php">sketch comedy revues</a> and <a href="http://austinist.com/2007/12/28/austinist_show_90.php">assorted parties</a>. Owners John Dorgan and Conrad Bejarano (who are also the folks behind Spiderhouse, Eco Clean and I Luv Video) didn't elaborate on the conflict between the venue and the city, but hinted that an agreement might be reached sometime in the near future that would allow USAA to open again.</p>

<p>"We really thrive on the vibrant culture of Austin, and our efforts have always been to participate and promote this scene in our own small way," says Dorgan.  "That's our great strength, and that's why we're hopeful that we'll be able to work with the city to reopen the Art Authority in the coming months."</p>

<p>With the space effectively closed as of this morning, most USAA events have been moved to Spiderhouse or other venues around town. <br/>
</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/28/united_states_art_authority_closed.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">allenychen</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">4</id>
    <title xmlns="http://www.w3.org/2005/Atom">Bat Festival Fate At Stake</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsright" style="width:254px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080808_bat by flickr user Lee Carson.jpg"/><br/><a href="http://flickr.com/photos/tcatcarson/869961524/">Lee Carson/flickr</a></div></div>Austin's <a href="http://www.roadwayevents.com/RoadStar/Events-cat.asp?media1Id=1292">Bat Festival</a> may be no more <a href="http://www.statesman.com/blogs/content/shared-gen/blogs/austin/cityhall/entries/2008/08/07/council_postpones_decision_on.html">if local businesses don't agree to sign</a> the organizers' petition which supports the partial closing of Congress Avenue and the Ann Richards Bridge. The festival, now in its fourth year, is scheduled to be held Labor Day weekend and is expected to draw a crowd of 40,000 bat lovers. Festivities include 30 bands, kid-friendly activities, bat education, and, of course, plenty of bat watching as the bridge’s 1.5 million inhabitants take their nightly flight.

<p>In order for festival organizers to obtain the necessary permits required to close down portions of Congress Avenue, the city requires that the promoter get a petition signed by 90% of the businesses that will be affected. Roadway Productions promoter French Smith was able to get all but two of the needed signatures (the lone holdouts being <a href="http://www.yourlivingroom.com/">Your Living Room</a>, a furniture store located on the south end of the bridge, and Sherry Matthews Advocacy PR - a business likely to be unaffected by the fest). </p>

<p>In the event that the promoter can’t get approval from the affected businesses, they can go to the City Council and ask that the requirements be waived. Council member Sheryl Cole has stepped in and sponsored the signature waiver, but yesterday morning the city postponed a decision in hopes that the event organizer and Your Living Room owner Gege Cordeiro could come to an agreement.</p>

<p>According to festival organizers, they have tried to work with Cordiero to accommodate any lost business that Your Living Room would face by offering compensation, secure parking, advertising, event sponsorship and free booth space at the event. Unfortunately, at this point it looks like Cordiero is unlikely to compromise and the festival may be forced to shut down entirely, leaving Roadway out the over $160,000 they've already spent for this year's event.<br/>
</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/08/bat_festival_fate_at_stake.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">austinist_keb</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">5</id>
    <title xmlns="http://www.w3.org/2005/Atom">Lance Wins!  Local Hero Named Austin's Top Water User.</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsright" style="width:314px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080627_spinkler.jpg"/&gt;&lt;br /&gt;&lt;a href="http://flickr.com/photos/gapplewagen/755288392/"&gt;gapplewagen/flickr&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;International bicycling phenomenon  Lance Armstrong was named the top water user in Austin, according to &lt;a href="http://www.statesman.com/news/content/news/stories/local/08/15/WEB0815waterusehomes.html"&gt;a list published by the Statesman&lt;/a&gt;.  He paid $1,630 for 222,900 gallons of water.  Astounding ingenuity and persistence enabled local attorney Carolyn Beckett to take the number two spot by using 174,400 gallons of water, even though her 1/3 acre lot doesn't have a swimming pool or a sprinkler system.  Austinites overall use about 180 million gallons of water a day during the summer.  

&lt;p&gt;The City of Austin is spending a million dollars on an &lt;a href="http://www.ci.austin.tx.us/water/raybenson311.htm"&gt;advertising campaign&lt;/a&gt; to convince people use less water and has made it &lt;a href="http://austinist.com/2008/06/27/gapplewagenflickraccording_to_the_s.php"&gt;illegal to use sprinkler systems&lt;/a&gt; all but 30 hours a week (of course, 99.9% of the people that break that law don't get a ticket for it).  Americans didn't &lt;a href="http://www.nytimes.com/2008/08/14/business/economy/14drive.html?ref=business"&gt;change their driving habits until gas hit $4 a gallon&lt;/a&gt;, despite threats of global warming and financing terrorism.  Why does anyone think catchy jingles, unenforced laws and public humiliation are going to change watering habits?&lt;/p&gt;

&lt;p&gt;The Austin Water Utility charges for water on a &lt;a href="http://www.ci.austin.tx.us/water/rateswr07.htm"&gt;sliding scale&lt;/a&gt;: the first 2,000 gallons cost less than 1/10 of a penny per gallon; after 15,000 gallons every additional gallon costs about 3/4 of a penny.  These prices aren't adequate to inhibit water usage - most people on the Statesman's list didn't know they were using so much water until the article's author called them.  The city is &lt;a href="http://www.ci.austin.tx.us/council_meetings/wams_item_attach.cfm?recordID=12414"&gt;proposing to increase those prices next year&lt;/a&gt;, but the increases do not target major users.  If we want to conserve water, we should &lt;a href="http://austinzoning.typepad.com/austincontrarian/2008/07/another-water-pricing-rant-but-this-time-with-a-cite.html"&gt;raise the price&lt;/a&gt; for big water users by adding another tier to the pricing scale.  $4 per gallon for every gallon over 30,000 would do the trick.  That would bring Lance's bill to around $772,000 per month, which would either get him to stop watering the giant lawn all day every day or solve the city's &lt;a href="http://www.news8austin.com/content/headlines/?ArID=215270&amp;SecID=2"&gt;budget problems&lt;/a&gt; and pay for all kinds of &lt;a href="http://www.ci.austin.tx.us/water/wtpfour.htm"&gt;fancy new water treatment plants&lt;/a&gt;.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/15/lance_wins_local_hero_named_austins.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Shilli</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">6</id>
    <title xmlns="http://www.w3.org/2005/Atom">Foodoir Photography: Vegan Frito Pie and Tater Tots at Dog Almighty</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080807_RocketDog.jpg"/><br/><a href="http://www.flickr.com/photos/sbogdanich/2735917523/">sbogdanich/flickr</a></div>

<p><em>Hungry to share your most provocative Austin food photos? Send them <a href="mailto:food@austinist.com">here.</a> Make sure to include your name, where the photo was taken and a complete description of the food.</em></p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/07/foodoir_photography_vegan_frito_pie.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Sam Armstrong</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">7</id>
    <title xmlns="http://www.w3.org/2005/Atom">Breaking: Cox Pulling Out of Texas, &lt;em&gt;Statesman&lt;/em&gt; Up for Sale</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsright" style="width:314px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080813_austin-sxsw-beastieboys-48637-l.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/crazywanda/119090815/"&gt;crazywanda/flickr&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;Cox Enterprises, a privately owned national media company, today announced that it is &lt;a href="http://www.statesman.com/news/content/news/stories/local/08/14/0814statesman.html"&gt;getting rid of its local newspaper brands&lt;/a&gt; in North Carolina, Colorado and Texas. The &lt;strong&gt;&lt;em&gt;Austin American-Statesman&lt;/em&gt;&lt;/strong&gt; is among the nine newspapers to be sold, which will also include the&lt;em&gt; Longview News-Journal&lt;/em&gt;, the &lt;em&gt;Waco Tribune-Herald&lt;/em&gt;, and &lt;em&gt;The Grand Junction Daily Sentinel&lt;/em&gt; in Colorado. Cox will retain &lt;em&gt;The Atlanta Journal-Constitution&lt;/em&gt; and a small handful of papers in other states.

&lt;p&gt;"The decision was made as part of an ongoing strategic review of our portfolio and enables us to maintain our strong and stable financial performance by further paying down debt," said Cox chairman and chief executive Jim Kennedy. "We will continue to own and operate industry-leading companies, invest in existing businesses and maintain a level of financial discipline that ensures we are well positioned for ongoing success." &lt;/p&gt;

&lt;p&gt;Cox, which also owns various television and radio stations around the country, seems to be increasingly emphasizing its technology-related properties, especially as the newspaper industry continues to flounder. Its cable and telecommunications subsidiary, Cox Communications, is now the third-largest cable service provider in the United States, and according to &lt;a href="http://www.marketwatch.com/news/story/cox-enterprises-announces-plans-sell/story.aspx?guid={50A49A77-014C-4C79-AC2C-C665FAF8076E}&amp;dist=hppr"&gt;today's press release&lt;/a&gt;, the company already derives approximately eighty percent of its revenue from non-advertising-supported media.&lt;/p&gt;

&lt;p&gt;The &lt;em&gt;Statesman&lt;/em&gt;'s current publishers have stated that things will be "business as usual," despite the pending sale. All of its current assets, including Austin360.com, &lt;em&gt;ahora si!&lt;/em&gt;, and smaller local non-dailies will be be included.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/13/breaking_cox_pulling_out_of_texas_s.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">allenychen</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">8</id>
    <title xmlns="http://www.w3.org/2005/Atom">Video: Bill Bishop on &lt;i&gt;The Daily Show&lt;/i&gt;</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><p><embed FlashVars="videoId=178009" src="http://www.thedailyshow.com/sitewide/video_player/view/default/swf.jhtml" quality="high" bgcolor="#cccccc" width="332" height="316" name="comedy_central_player" align="right" allowScriptAccess="always" allownetworking="external" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"/>We watched last night as Austin author (and <a href="http://www.austin360.com/blogs/content/shared-gen/blogs/austin/mo/entries/2008/07/30/austin_author_appears_on_the_d.html">former blogger for <i>The Statesman</i></a>) Bill Bishop represented our fair city on <i>The Daily Show</i>.  In this clip, he discusses his new book (<b>The Big Sort: Why the Clustering of Like-Minded America Is Tearing Us Apart</b>), Texans buying more guns, and strange Austin lawn art: "My wife and I moved to Austin . . . we'd drive around and see neighbors with bowling ball art . . ."  </p>

<p>Jon Stewart tells Bishop at the end of the interview, "You live in a f*cked up neighborhood." Little does he know . . .</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/30/video_bill_bishop_on_the_daily_show.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Elizabeth S.</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">9</id>
    <title xmlns="http://www.w3.org/2005/Atom">New Brewery Announces Grand Opening Tour and Tasting</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsright" style="width:263px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080806_512brew.JPG"/><br/><a href="http://www.512brewing.com/index2.php">Image from (512) Brewing Company Website</a></div><div class="events"> <b><a href="http://512brewing.com/blog/?attachment_id=176">Grand Opening Tour and Tasting</a></b><br/>Saturday, August 9<br/>(512) Brewing Company (<a href="http://maps.google.com/maps?q=austin,+tx,+407 Radam, F200" target="_blank">407 Radam, F200</a>)<br/>1-4 p.m.<br/>[<a href="http://512brewing.com/blog/?attachment_id=176">info</a>]</div></div>One of Austin's newest breweries, <a href="http://www.512brewing.com">(512) Brewing Company</a>, is inviting beer fans to come out for a grand opening tour and tasting this Saturday from 1-4 p.m. 

<p>The managers of the microbrewery (which is located near S. Congress and Ben White Blvd.) are proud to source as many local, domestic, and organic ingredients as they can and employ old world recipes with an updated domestic twist -- read more about their brewing practices <a href="http://www.512brewing.com/who.php">here</a>.</p>

<p>The event will feature tastings of all the (512) beer offerings, tours, and there will be (512) glassware and t-shirts available to purchase for anyone who falls in love with the beer offerings. <br/>
</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/07/new_brewery_announces_grand_opening.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Sam Armstrong</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">10</id>
    <title xmlns="http://www.w3.org/2005/Atom">The Daily Photoist: August 18, 2008</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;em&gt;Every weekday morning we'll be featuring a photo (or two) from our readers. Please feel free to submit your photos (min 600px width) by adding them to the &lt;a href="http://www.flickr.com/groups/austinist/"&gt;Austinist Flickr Group&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Untitled&lt;/strong&gt;&lt;br /&gt;
&lt;font size="1"&gt;BY &lt;a href="http://www.flickr.com/photos/stellatex/"&gt;STELLATEX&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;
&lt;div style="width:640px;"&gt;&lt;a href="http://www.flickr.com/photos/stellatex/2766007714/"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080818_081808.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/18/the_daily_photoist_august_18_2008.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Justin Cox</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">11</id>
    <title xmlns="http://www.w3.org/2005/Atom">I Am So Popular: Quit Your Job, Eat Some Brownies</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080124_Spike2.JPG"/&gt;&lt;br /&gt;&lt;/div&gt;

&lt;p&gt;&lt;i&gt;Editor’s note:  The views expressed in &lt;strong&gt;I Am So Popular&lt;/strong&gt; are solely those of the author and do not necessarily reflect the outlook or beliefs of anyone else in the IST network.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;Once upon a time, a long time ago, I wrote an essay called &lt;em&gt;Quit Your Job&lt;/em&gt; that ran on MSN.com. That piece landed on one of their &lt;em&gt;most hits ever &lt;/em&gt;lists. This was back during the high-tech boom, there wasn’t a recession like there is now, and so quitting one’s job wasn’t that big of a risk. Anyone with a fifth grade education and rudimentary computer skills could get a gig at one of the gazillion startups. If you didn’t like what you were doing, you could find something else.&lt;/p&gt;

&lt;p&gt;That’s not the case these days and still, I know, if I encourage people to quit jobs they don’t like, even if they don’t follow through on my advice, the temptation remains strong. By applause, how many of you spend a lot of your cubicle slavery time fantasizing that you could quit to pursue your passion?Good news: you’re in the right city not only to entertain those visions, but to actually get out there and give your dreams a shot. Plenty of people here are carving out their own version of happy. Maybe they’re juggling four part time jobs so they can paint or write poetry in their off hours. Maybe they’re one of the countless baristas with the graduate degree, glad for a doctorate in philosophy with no interest in trying for an adjunct professor gig. &lt;/p&gt;

&lt;div class="eventsleft" style="width:144px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080731_jane_label2.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.buttersbrownies.com"&gt;mary louise butters&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;I am always delighted to run into folks living the dream, whatever that dream happens to be for them. Which is why I enjoy hanging out with &lt;a href="http://www.buttersbrownies.com/"&gt;Mary Louise Butters.&lt;/a&gt; If her name sounds familiar, maybe it’s because you’ve eaten one (or a dozen) of her fancy brownies, available all over town &lt;a href="http://www.buttersbrownies.com/outlets.php"&gt;wherever hardcore foodies shop.&lt;/a&gt; These brownies are serious, people, and I’m not just blowing smoke up the derriere of Ms. Butters. Thing is, I make one of the meanest batches of brownies ever, anywhere. That said, knowing hers are available relieves me of the duty of ever having to make another pan full if I don’t want to. They’re outrageous.

&lt;p&gt;I first met MLB at a party many years ago. That seemed to be the end of it until I fell into this odd side gig of writing about art quilters. You go ahead and laugh at that concept all you want, but trust me, there are a lot of folks out there making contemporary quilts your grandmother would never recognize (or try to emulate) and these pieces hang in museums and fetch thousands (and sometimes tens of thousands) of dollars.&lt;/p&gt;

&lt;p&gt;I can’t tell you how many times it was suggested to me that I interview MLB about her quilts. I missed the chance with my first quilting book. But now, researching my second, I gave her a call. &lt;/p&gt;

&lt;p&gt;What I found, during our interviews, was a human hell bent on the old follow-your-bliss routine. I don’t mean someone thinking about following her bliss. I mean someone who, in the wake of a divorce, with grief compounded by the death of a beloved dog, decided fuck it, she was going to do exactly what she wanted to do from now on. And so she has. And how did this begin? &lt;em&gt;SHE QUIT HER JOB.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;These days, MLB works out of a commercial kitchen off of South Congress, cranking out these treats that I am careful only to buy once a month or so, less my formerly huge buttocks return in full force and then some. But more than her brownies, it’s her attitude I dig. &lt;/p&gt;

&lt;p&gt;And from whence did this attitude come? &lt;/p&gt;

&lt;p&gt;“I grew up in a family of cooks,” says MLB. “I gathered a lot of data about the sensuality of living in this body. It’s meant to be enjoyed. Food is a portal to joy. It’s connected to community and health— it’s so multifaceted. I always knew food and how to feed myself and I grew up wanting to make things more beautiful. When you have the experience of something that sustains you, beyond just putting food in front of you, you realize the different creative ways there are to eat and enjoy that experience. We all have stories of favorite restaurants and meals and being around people and food that were beautiful and nourishing.”&lt;/p&gt;

&lt;p&gt;So, in the interest of getting “our culture to embrace more of the joys of food rather than the dogma,” she decided brownies were the way to go. Or, as she puts it, “Chocolate is a forgivable sin. No one questions whether or not you need it and it’s not going away.”&lt;/p&gt;

&lt;div class="eventsright" style="width:127px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080731_giftpage_06.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.buttersbrownies.com"&gt;mary louise butters&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;But before the sins of chocolate, there were the art quilts, which grew from a childhood steeped in crafting and hands-on living. 

&lt;p&gt;“I realized I was trying to find my voice in fabric. I started doing traditional pieces and taking classes and got the basics down. It wasn’t long before I came to a turning point. I was at a job at Central Market. I’d gone to a New Year’s Eve party and was asked to share best and worst moments of the past year. I couldn’t think of the best moment and that’s unusual for me—I get excited over belly button lint. So I said that’s it, I’m going to create a studio and cut out the bullshit and quit the job and follow what has been calling me.”&lt;/p&gt;

&lt;p&gt;Let’s go over that one more time: &lt;em&gt;SHE QUIT HER JOB&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;Pursuing art with no regular job made paying the bills less effortless, but she had a husband at the time and he helped out. Then the marriage meandered down the path to a sort of low-grade hell, and, she says, “My life became like the human experience of the perfect storm. At the same time all this was coming together I connected with friends who wanted me to make something chocolate. I whipped up this recipe that had been given to me by John Henry Faulk’s wife. I completely bastardized it and made it my own, doing the same thing to the recipe that I was doing with the quilts.”&lt;/p&gt;

&lt;p&gt;She gave some brownies to friends who demanded to know why she wasn’t baking them for a living. &lt;/p&gt;

&lt;p&gt;“I thought maybe it’s time, if everything’s going to change, why not change everything? It’s like trying to jump over the Grand Canyon. You make the first step and the rest come after. I recognized the mystery and beauty of chocolate, which is an incredible tool to express so may emotions. It’s such a mysterious food. It’s so dynamic. There’s nothing static about it.”&lt;/p&gt;

&lt;p&gt;So she ran away for a little trip to the coast, and read “150 pounds of cookbooks” in her quest to fully research chocolate. She came back, started baking the first commercial batches in her home kitchen, and that was that. &lt;/p&gt;

&lt;p&gt;“It was like having a baby, once you have it, you can’t put it back in,” she says.&lt;/p&gt;

&lt;p&gt;She financed her endeavor with loans taken against her house. She took risk after risk. She made baby steps forward. &lt;/p&gt;

&lt;p&gt;“Everyone wants a Cinderella story but it doesn’t happen that fast,” she says. “I kept taking risks and taking money out of the house, throwing everything at the wall to see what sticks. All along you realize you’re getting what you asked for which is to be in the flow, be in the bigger river where you’re engaged in the community where you’re making a difference where there wasn’t one before, at least not on a personal level. And I kept doing it. So for three years, without missing a single week, I baked, packaged and delivered every single brownie.”&lt;/p&gt;

&lt;p&gt;And then things started getting really interesting. She got a call from the Food Network and they did a piece on her. She got invited first to Sundance and then the Oscars to serve up her brownies. Just the other week, she got a call from Rachel Ray’s people. All this without a PR person. Word-of-mouth—mouths overjoyed at the result of her pursuing her passion—has been the thing that has brought her all this national attention.&lt;/p&gt;

&lt;p&gt;Let’s be honest: Yes, it could’ve gone to shit for Mary Louise Butters. She could’ve lost her house and her shirt on her business. But she didn’t. She had this pull, she couldn’t say no. She went with it. It worked. And how did it all start?&lt;/p&gt;

&lt;p&gt;&lt;em&gt;SHE QUIT HER JOB.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;So I say, got a passion? Then go ahead, quit your damn job. Make it happen. Worst case scenario, you go back to a job you hate. Best case scenario, the fantasy comes true.&lt;/p&gt;

&lt;p&gt;Advises MLB: “I would say there are a couple of ways of following your bliss. You can fling yourself off a cliff and as the wind rushes past wonder if your wings are opening or are you free falling. The other way is to say I want to get from here to here. They’re the same thing as long as you’re holding to the vision that you want to get there. There is a galaxy of ways to get there. But if you let go of wanting to get there, you’re going to torture yourself. It’s not going to go away.”&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Spike Gillespie should not be left alone with brownies. She blogs regularly for &lt;a href="http://launchpadcoworking.com"&gt;LaunchPad Coworking&lt;/a&gt; and at &lt;a href="http://www.spikeg.com"&gt;www.spikeg.com&lt;/a&gt;. She is also head mistress for the &lt;a href="http://www.dickmonologues.com"&gt;Dick Monologues&lt;/a&gt;. Next show is August 27th and you can email her at spike@spikeg.com to reserve seats.&lt;/em&gt;&lt;a href="http://www.statcounter.com/" target="_blank"&gt;&lt;img src="http://c34.statcounter.com/3500868/0/fd9bfe13/1/" alt="free html hit counter" border="0"&gt;&lt;/a&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/31/i_am_so_popular_quit_your_job_eat_s.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">spikegillespie</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">12</id>
    <title xmlns="http://www.w3.org/2005/Atom">Rate Increases Approved For Capital Metro</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsleft" style="width:254px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080806_Fare Increases by flickr user Gene Lee.jpg"/><br/><a href="http://flickr.com/photos/genemoo/2709671053/">Gene Lee/flickr</a></div></div>Just like the cost of everything else lately, <a href="http://www.statesman.com/news/content/news/stories/local/08/05/0805capmetro.html">the price of your next bus ride on Capital Metro could get more expensive</a>. In a 6-to-4 vote Monday night, an oversight committee made up of local government officials voted in favor of a <a href="http://www.capmetro.org/fares.asp">fare hike</a>, causing base fares to go up from 50 cents to 75 cents.  Under the proposal, a second planned increase is scheduled for 2010 when base fares would go up to $1.00. 

<p>Proposed fare increases would also impact monthly passes, the ‘Dillo trolley (setting a $0.50 fare for what has in the past been a free service) and the MetroRail.  The rate increases will not affect senior citizens and disabled people who will continue to ride for free. Capital Metro needs to have one more ratifying vote at the end of this month before rates would officially go into effect in October. </p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/06/rate_increases_approved_for_capital.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">austinist_keb</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">13</id>
    <title xmlns="http://www.w3.org/2005/Atom">Smoke 'em if you got 'em: Austinist reviews &lt;em&gt;Pineapple Express&lt;/em&gt;</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsleft" style="width:264px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080806_pineapple express.jpg"/><br/><a href="http://images.rottentomatoes.com/images/movie/gallery/1188393/photo_05_hires.jpg">Pineapple Express poster</a></div></div>Huzzah, August is upon us! No more dark summer thrillers. Bring on the laughs, fellas. 

<p><em>Pineapple Express</em> is a buddy drug comedy even the most straight-laced will enjoy, even though it does smell super dank, dude.  More <em>Superbad</em> and less <em>Cheech and Chong</em>, this bromantic comedy is about the love of two wannabe friends, and their love of Mary Jane. </p>

<p>Written and produced by the team behind last year’s breakout hit, the aforementioned <em>Superbad</em>, <em>Pineapple Express</em> weaves the epic tale of Dale (afroed Seth Rogen) and Saul (a dirty-looking James Franco), a process server and his dopey (ha, get it?) ganja dealer who become BFFs while on the lam after Dale witnesses  a murder outside the home of uber pot dealer Ted (Gary Cole). And of course, it all started with a little pineapple express, or rather something so delicious it smells like “God’s vagina.” Yum, yo. </p>

<p>Franco pulls a 180 and discards any leading man qualities to become one of cinemas most likeable stoners. If <em>Stepbrothers</em> made the world forget John C. Reilly is an Academy Award-nominated actor, <em>Pineapple Express</em> can pretend that Franco isn’t a) hot as shit, and b) a really talented thespian. Rogen puts on his likeable loser face, and is still totally likeable and losery.  Craig Robinson (Daryl in <em>The Office</em> the U.S. version), in a fairly minor role as a hitman, delights us with his chocolaty exterior and ooey gooey center as he brings the sensitive side to thug life and hitmen alike.While the jokes aren’t nearly as fast or as furious as previous Apatow outings, the laughs that do come are well-earned and worthwhile.  Old ladies, crazy teens, and even stodgy film critics alike were rolling in their seats at the jokes that landed harder than a bong hit. More action comedy than druggie movie, <em>Pineapple Express</em> is a unique choice for indie darling David Gordon Green. His organic, passionate direction of <em>All the Real Girls</em> pays off as he tackles some of the subjects in this film with the same dynamics, but it only furthers the laughs with the outlandishness of the plot. </p>

<p>Shit blows up. Weed gets smoked. Dudebros fall in love. Rogen is so darn likeable (a pat on the back for whoever guesses who that Apatow allusion refers to). And Francophila is about to run rampant (fingers crossed). Go see <em>Pineapple Express</em>, but remember to take some munchies, for this film may leave you a bit baked. </p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/06/smoke_em_if_you_got_em_austinist_re.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Darcie D</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">14</id>
    <title xmlns="http://www.w3.org/2005/Atom">Austin, Live Booze Capital of the World, Puts Other U.S. Cities to Shame in Hard-Drinkingness</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsright" style="width:414px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080808_vino_vodka_wine_1374641_l.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/batrace/92549990/"&gt;batrace/flickr&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;To no one's surprise, Austin &lt;a href="http://www.forbes.com/2008/08/07/alcohol-drinking-cities-forbeslife-drink08-cx_de_avb_0807hard.html"&gt;topped the list&lt;/a&gt; of &lt;strong&gt;America's Hard-Drinking Cities&lt;/strong&gt; in a new &lt;em&gt;Forbes&lt;/em&gt; survey. 

&lt;p&gt;Over 61% of Austinites reported having at least one drink in the last 30 days, while 20% of the population claims to have had "five or more drinks on one occasion"&amp;mdash;this  evidently qualifies you as a &lt;em&gt;binge drinker&lt;/em&gt;. &lt;/p&gt;

&lt;p&gt;&lt;em&gt;Thanks to everyone who sent this in.&lt;/em&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/08/austin_live_booze_capital_of_the_wo.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">allenychen</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">15</id>
    <title xmlns="http://www.w3.org/2005/Atom">Texas DPS Releases Governor's Mansion Arsonist Video</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;embed id="VideoPlayback" style="width:640px;height:521px" allowFullScreen="true" src="http://video.google.com/googleplayer.swf?docid=9025463758403051592&amp;hl=en&amp;fs=true" type="application/x-shockwave-flash"&gt; &lt;/embed&gt;&lt;/p&gt;

&lt;p&gt;Anyone with information about the possible identity of the man depicted in the video above is urged to call investigators at 512-506-2849, 512-506-2861, 512-506-2862, or Crime at 800-252-8477. &lt;/p&gt;

&lt;p&gt;Image from the &lt;a href="http://www.txdps.state.tx.us/video/news/video.htm"&gt;video&lt;/a&gt;:&lt;/p&gt;

&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080729_a_still_png.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.txdps.state.tx.us/video/news/video.htm"&gt;Texas Department of Public Safety&lt;/a&gt;&lt;/div&gt;

&lt;p&gt;&lt;strong&gt;Related:&lt;/strong&gt;&lt;br /&gt;
&lt;a href="http://austinist.com/2008/06/10/snapshots_governors_mansion_fire_af.php"&gt;Snapshots: Governor's Mansion Fire Aftermath&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://austinist.com/2008/06/08/governors_mansi.php"&gt;Governor's Mansion Gutted By Overnight Fire&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://austinist.com/2008/06/11/atf_examining_governors_mansion_evi.php"&gt;ATF Examining Governor's Mansion Evidence, Perry Vows to "Rebuild This Magnificent Structure"&lt;/a&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/29/texas_dps_releases_governors_mansio.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">allenychen</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">16</id>
    <title xmlns="http://www.w3.org/2005/Atom">Reviewing San Marcos: Silver Pines' &lt;em&gt;Forces&lt;/em&gt; </title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsright" style="width:314px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080728_forcescover.jpg"/><br/><a href="http://www.rivertownroasters.com/silverpines/forcescover.gif">Forces EP album cover from MySpace</a></div></div><strong>Silver Pines</strong> have one big thing going for them.  And, no, it’s not that their band is based in the lonesome burg of San Marcos, Texas, which at more than a half-hour away is always looking up at Austin with the starry eyes of the semi-isolated college town.  That one big thing Silver Pines have going for them is that their haunting, forever-reverberating songs are often pretty exceptional, and everyone who’s heard them seems to agree that something special is going on down I-35.  Last year’s <em>Fort Walnut EP</em> served as an excellent introduction to the band, but this year’s <em>Forces EP</em> broadens their sound without compromising what made their earliest work so satisfying.  Using all the best of country music—slide and even a singing saw make appearances—without falling prone to the genre’s more troubling cheesy aspects, the stage-taking septet crafts only the most gentle of tunes, and that sincere gentleness remains true even when the full strength of the band is involved.  

<p>The linchpin here is lead singer Stefanie Franciotti, whose calming presence both on the album and on stage allows the rest of the band to do its finest work.  Her voice is forever distant, not unlike that of a long lost lover, or of other newly-revered vocalists such as <strong>Beach House</strong>’s Victoria Legrand or <strong>Fight Bite</strong>’s Leanne Macomber, and its pleading pain or burgeoning enthusiasm acts as the band’s most captivating asset.  But that’s not to discredit the rest of the band, which holds <em>Forces </em>together admirably with steady rhythms and the occasional dose of flash, such as the guitar freakout at the four-minute mark of the EP’s first track, “Timefather,” the rollicking conclusion of mid-disc standout, “Payasito,” and the blistering second half of the album's most vicious track, "Fortress of Daughters."It’s difficult to see the career arc of a band who has yet to truly give the big city a spin, and college-based bands have a tendency to evaporate not long past graduation, but Silver Pines—if they so desire to continue unabated—have prepped themselves for significantly wider appreciation in the indie realm, especially as other country-influenced acts such as <strong>Fleet Foxes</strong> gain seemingly unstoppable momentum.  And the <em>Forces EP</em>, clocking in at an economical twenty-eight minutes, is an undeniably solid step forward.</p>

<p>[<a href="http://www.myspace.com/silverpines">Silver Pines on MySpace</a>]</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/30/reviewing_san_marcos_silver_pines_f.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Nick Courtright</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">17</id>
    <title xmlns="http://www.w3.org/2005/Atom">Breaking: Austinist Releases Official Fun Fest 2008 Lineup</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;a href="http://www.austinist.com/funfunfun" title="Check out our Fun Fest page"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080819_funfestbanner.jpg"&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;object width="300" height="290" align="right" hspace="5"&gt;&lt;param name="movie" value="http://media.imeem.com/pl/uuPaTvPflK/aus=false/"&gt;&lt;/param&gt;&lt;param name="wmmode" value="transparent"&gt;&lt;/param&gt;&lt;embed src="http://media.imeem.com/pl/uuPaTvPflK/aus=false/" type="application/x-shockwave-flash" width="300" height="290" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;Austinist is happy to announce this year's line-up for the &lt;a href="http://www.funfunfunfest.com/"&gt;Fun Fun Fun Festival&lt;/a&gt; happening at Waterloo Park on November 8 &amp; 9. Once again, we're proud media sponsors, and will be bringing you all the news and coverage you'll need to be prepared for two incredibly packed days of music. &lt;/p&gt;

&lt;p&gt;As expected, the lineup reflects a myriad of influences, tastes and genres. Fans of hardcore and punk will be watching acts like &lt;strong&gt;Bad Brains, ALL and the Dead Milkmen&lt;/strong&gt;, while more center-aligned indie rock fans will experience everything from &lt;strong&gt;Clap Your Hands Say Yeah!&lt;/strong&gt; to &lt;strong&gt;the National&lt;/strong&gt;, to &lt;strong&gt;St. Vincent&lt;/strong&gt; to &lt;strong&gt;Deerhoof.&lt;/strong&gt; &lt;/p&gt;

&lt;p&gt;The meat of the lineup is healthy throughout, as hip hop acts like &lt;strong&gt;Clipse&lt;/strong&gt; and comedy acts like &lt;strong&gt;Tim &amp; Eric's Awesome Show (Great Job)&lt;/strong&gt; round things out. Bring your dancing shoes, though: &lt;strong&gt;Dan Deacon&lt;/strong&gt; makes an appearance this year, as do &lt;strong&gt;YACHT&lt;/strong&gt; and &lt;strong&gt;Dr. Octagon. &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Visit our own dedicated &lt;a href="http://austinist.com/funfunfun"&gt;Fun Fest page&lt;/a&gt; for music samples of performing artists, after party information, all our coverage, the full lineup and much more, including photos and video from last year's festival. Tickets go on sale soon, and are $59.99 for the two day pass. Not a bad deal, not bad at all. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Follow the jump for the full line-up for 2008's Fun Fun Fun Festival.&lt;/strong&gt;&lt;link rel="stylesheet" href="http://www.escapeest.com/austinist/stylesheets/funfest.css" TYPE="text/css" MEDIA="screen"&gt;&lt;/p&gt;

&lt;table width="640" class="f3lineuptable"&gt;

&lt;p&gt;&lt;tr valign="top"&gt;&lt;td width="160"&gt;&lt;br /&gt;
&lt;div class="f3stageheader"&gt;Stage 1&lt;/div&gt;&lt;br /&gt;
Clap Your Hands Say Yeah&lt;br /&gt;&lt;br /&gt;
The National&lt;br /&gt;&lt;br /&gt;
Atmosphere&lt;br /&gt;&lt;br /&gt;
Minus The Bear&lt;br /&gt;&lt;br /&gt;
St Vincent&lt;br /&gt;&lt;br /&gt;
Trail of Dead&lt;br /&gt;&lt;br /&gt;
Deerhoof&lt;br /&gt;&lt;br /&gt;
Rival Schools&lt;br /&gt;&lt;br /&gt;
Islands&lt;br /&gt;&lt;br /&gt;
Annuals&lt;br /&gt;&lt;br /&gt;
Bishop Allen&lt;br /&gt;&lt;br /&gt;
Centromatic&lt;br /&gt;&lt;br /&gt;
Sleepercar&lt;br /&gt;&lt;br /&gt;
Frightened Rabbit&lt;br /&gt;&lt;br /&gt;
Spinto Band&lt;br /&gt;&lt;br /&gt;
Parts and Labor&lt;br /&gt;&lt;br /&gt;
Colourmusic&lt;br /&gt;&lt;br /&gt;
Experimental Dental School&lt;br /&gt;&lt;br /&gt;
27&lt;br /&gt;&lt;br /&gt;
Til We're Blue or Destroy&lt;br /&gt;&lt;br /&gt;
Paul Green's School of Rock&lt;br /&gt;&lt;br /&gt;
&lt;/ul&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td width="160"&gt;&lt;br /&gt;
&lt;div class="f3stageheader"&gt;Stage 2&lt;/div&gt;&lt;br /&gt;
Shearwater&lt;br /&gt;&lt;br /&gt;
Tim Fite&lt;br /&gt;&lt;br /&gt;
Magnetic Morning &lt;span class="f3lineuptablecomment"&gt;Adam Franklin/Swervedriver and Sam Fogarino/Interpol&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
Kevin Seconds&lt;br /&gt;&lt;br /&gt;
The Cynics&lt;br /&gt;&lt;br /&gt;
Ugly Beats&lt;br /&gt;&lt;br /&gt;
Walter Schreifels &lt;span class="f3lineuptablecomment"&gt;Quicksand, Rival Schools&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
Pepi Ginsberg&lt;br /&gt;&lt;br /&gt;
The Revival Tour with Chuck Ragan, Tom Gabel, Ben Nichols, Tim Barry &lt;span class="f3lineuptablecomment"&gt;members of Hot Water Music, Against Me!, Lucero, Avail&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
Frank Smith&lt;br /&gt;&lt;br /&gt;
Tim and Eric's Awesome Show&lt;br /&gt;&lt;br /&gt;
Coldtowne Comedy Hr&lt;br /&gt;&lt;br /&gt;
Altercation Punk Rock Comedy hour&lt;br /&gt;&lt;br /&gt;
Matt Bearden&lt;br /&gt;&lt;br /&gt;
Chris Fairbanks&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td width="160"&gt;&lt;br /&gt;
&lt;div class="f3stageheader"&gt;Stage 3&lt;/div&gt;&lt;br /&gt;
Bad Brains&lt;br /&gt;&lt;br /&gt;
ALL&lt;br /&gt;&lt;br /&gt;
Dead Milkmen &lt;span class="f3lineuptablecomment"&gt;Reunion Show!&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;
Flipper&lt;br /&gt;&lt;br /&gt;
Adolescents&lt;br /&gt;&lt;br /&gt;
Integrity&lt;br /&gt;&lt;br /&gt;
Bouncing Souls&lt;br /&gt;&lt;br /&gt;
Swingin Utters&lt;br /&gt;&lt;br /&gt;
DOA&lt;br /&gt;&lt;br /&gt;
Killdozer&lt;br /&gt;&lt;br /&gt;
Cromags&lt;br /&gt;&lt;br /&gt;
Scared of Chaka&lt;br /&gt;&lt;br /&gt;
Young Widows&lt;br /&gt;&lt;br /&gt;
Leftover Crack&lt;br /&gt;&lt;br /&gt;
Trash Talk&lt;br /&gt;&lt;br /&gt;
World Burns to Death&lt;br /&gt;&lt;br /&gt;
Krumbums&lt;br /&gt;&lt;br /&gt;
Mammoth Grinder&lt;br /&gt;&lt;br /&gt;
Cute Lepers&lt;br /&gt;&lt;br /&gt;
Bitter End&lt;br /&gt;&lt;br /&gt;
High Tension Wires&lt;br /&gt;&lt;br /&gt;
Born to Lose&lt;br /&gt;&lt;br /&gt;
&lt;/td&gt;&lt;td width="160"&gt;&lt;br /&gt;
&lt;div class="f3stageheader"&gt;Stage 4&lt;/div&gt;&lt;br /&gt;
Clipse&lt;br /&gt;&lt;br /&gt;
Z-trip&lt;br /&gt;&lt;br /&gt;
Dan Deacon&lt;br /&gt;&lt;br /&gt;
Grupo Fantasma&lt;br /&gt;&lt;br /&gt;
Kool Keith/Dr. Octagon&lt;br /&gt;&lt;br /&gt;
Dengue Fever&lt;br /&gt;&lt;br /&gt;
Brownout!&lt;br /&gt;&lt;br /&gt;
Franki Chan&lt;br /&gt;&lt;br /&gt;
Toxic Avenger&lt;br /&gt;&lt;br /&gt;
Hawnay Troof&lt;br /&gt;&lt;br /&gt;
Starlynx and Bigface&lt;br /&gt;&lt;br /&gt;
Richard Henry&lt;br /&gt;&lt;br /&gt;
Yacht&lt;br /&gt;&lt;br /&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;br /&gt;
&lt;/table&gt;&lt;br /&gt;
&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/19/back_2_schoolz.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Paige Maguire</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">18</id>
    <title xmlns="http://www.w3.org/2005/Atom">I Am So Popular: Left Handed Lovin-- Mr. Southpaw Jones</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080124_Spike2.JPG"/&gt;&lt;br /&gt;&lt;/div&gt;

&lt;p&gt;&lt;i&gt;Editor’s note:  The views expressed in &lt;strong&gt;I Am So Popular&lt;/strong&gt; are solely those of the author and do not necessarily reflect the outlook or beliefs of anyone else in the IST network.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;I first saw &lt;a href="http://www.southpawjones.com"&gt;Southpaw Jones&lt;/a&gt; back in ’04 when he was playing in the tin roofed barn behind the original &lt;a href="http://www.moxieandthecompound.com"&gt;Moxie and the Compound&lt;/a&gt;. The very first song I ever heard him sing was &lt;em&gt;The Cruelty of Teenage Girls&lt;/em&gt;, and in that moment my life radically and permanently changed for the much, much better. And I’m not even saying that because I read a recent article in &lt;em&gt;Wired &lt;/em&gt;telling me that hyperbole is the path to more page views. I’m saying it because, thanks to Southpaw Jones, I got my picture in the &lt;em&gt;New York Times&lt;/em&gt;, I was afforded the privilege of home ownership, I collect royalty checks for decent sums of money, and—I am not shitting you—I regained the ability to walk again. &lt;/p&gt;

&lt;p&gt;All that and I haven’t even told you about Paw’s astounding singing gift, his &lt;em&gt;thirteen &lt;/em&gt;octave range, and how he can weave an utterly compelling (and often delightfully twisted) narrative into a deceivingly small number of words per song. As a testament to his dedication as both a friend and performer, let me say he played at my second wedding and has promised to play at my third. And how many other songwriters do you know who have a repertoire that includes tunes that answer the following questions:1)	&lt;em&gt;How does the Man in the Moon get laid? &lt;/em&gt;(Answer: &lt;strong&gt;Moon Whore&lt;/strong&gt;)&lt;br /&gt;
2)	&lt;em&gt;Is it possible to seamlessly work references to a vibrator, Mexican pudding, and Dan Ackroyd into one catchy number? &lt;/em&gt;(Answer: &lt;strong&gt;Oh yes. Listen to &lt;em&gt;Everyman&lt;/em&gt;&lt;/strong&gt;.)&lt;br /&gt;
3) &lt;em&gt;Can a straight man convincingly conjure getting it on with Magic Johnson and explain with clarity how he cleared the hurdle sometimes presented by man-on-man love?&lt;/em&gt; (&lt;strong&gt;Answer: Absolutely and via explaining the benefits of failing to remember fear.&lt;/strong&gt;)&lt;/p&gt;

&lt;p&gt;Before I go one sentence further, let me tell you that only a fool or someone who is going to be in Portland that night (that would be me) would miss &lt;strong&gt;SOUTHPAW JONES’s NEW CD RELEASE PARTY&lt;/strong&gt; for the CD &lt;em&gt;CRUELTY&lt;/em&gt; at the Cactus Café on July 29th, at 8:30. I have no idea why it’s a free show—it’s worth at least fifty bucks a head to hear the guy sing— but there you go, it’s free. &lt;div class="eventsleft" style="width:214px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080724_cruelty_big.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.southpawjones.com"&gt;cover for Southpaw’s Cruelty CD&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/p&gt;

&lt;p&gt;For many years, Southpaw played a weekly gig with &lt;a href="http://www.matttheelectrician.com"&gt;Matt the Electrician&lt;/a&gt; over at Café Mudi, an event I rarely missed, their chemistry being irresistibly evocative of a folk-punk variation of those two old cranky guys up in the balcony in the &lt;em&gt;Muppet Movies&lt;/em&gt;. Both perform astounding solo acts, but together, well that show’s a whole beast unto itself. This year, they moved the whole kit and kaboodle over to Flipnotics in the Triangle on Thursday nights from 8 p.m. til 10 p.m. and very often it’s a SRO crowd.&lt;/p&gt;

&lt;p&gt;.&lt;div class="eventsright" style="width:314px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080724_mtejacket.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.matttheelectrician.com"&gt;Matt the Electrician&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;Last year, when I decided to put on the &lt;em&gt;Dick Monologues&lt;/em&gt; Paw—reluctant courtesy of his schedule and not the fact that he owns the equipment in question—finally allowed me to coax him into it. As our token straight guy, he is always served up to the audience at the front end—I call him the human hit of ecstasy because he always makes the audience laugh and drool—and then as our closing dessert. &lt;/p&gt;

&lt;p&gt;I asked Paw if I might interview for this column. Being the most selfless lefty on the planet (really the most selfless regardless of hand favored), he thought it would be nicer if he went ahead and interviewed me. And so, herewith, his questions for and my answers.&lt;/p&gt;

&lt;div class="eventsright" style="width:184px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080724_m_4a39c9038a9d9bfd0134f775049ac334.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.southpawjones.com"&gt;Southpaw Jones&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;
&lt;strong&gt;Paw:&lt;/strong&gt; Why do you think I was so aloof when you first introduced yourself to me?

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; You know, I sort of hated that about you because I was so blown away by your performance and I wanted you to love me and me to love you immediately, like an episode of &lt;em&gt;Barney&lt;/em&gt;. And, not knowing you were sort of shy, I thought you were being standoffish and that just didn’t work in the narrative I invented for our newfound, in the moment, BFF status. But maybe it helped in the long run since when I feel rejected, I take that as a challenge to make the other guy like me, so I didn’t give up, and I came and harassed you at Mundi.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; Do any of the ladies or man in the &lt;a href="http://www.dickmonologues.com"&gt;Dick Monologues&lt;/a&gt; have a crush on me?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; Please. Like you have to ask. If I told you some of the ways you’re objectified by the others…&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw: &lt;/strong&gt;Did anything surprise you about &lt;em&gt;CRUELTY&lt;/em&gt;?&lt;/p&gt;

&lt;p&gt;Spike: You know, “surprise” isn’t the right word for it. But I think it’s interesting and cool that you have such a broad mix of songs on there. I mean, some of them are pretty damn heavy and some are delightfully light (but still very clever). And then there are the other ones, too. If I were interviewing you, I might ask you about this eclectic mix choice. But I’m not interviewing you.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; Why is it that you so strongly relate to my song &lt;em&gt;The Cruelty of Teenage Girls&lt;/em&gt;?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; First of all, because it’s the first song I ever heard you play. I was totally sold from the get go, and so to me, that’s this unforgettable memory of a formative moment. I also want to go all faux-new-age and say that I now see the song as a sort of &lt;em&gt;Retrospective Prognostication&lt;/em&gt;, if I might be so oxymoronic. Because when I met you, I hadn’t yet met a particular teenage girl who would eventually drive me to such depths that I wound up a huge, medicated mess fantasizing suicide on a regular basis. And I look back at that thankfully brief period now, but it seemed interminable then. And I’m so happy now that  I think—&lt;em&gt;no way, could that really have happened&lt;/em&gt;? But it did happen. One teenage girl set out to destroy me and she came really, really close to succeeding. Teenage girls are so cruel it’s breathtaking. I remember when I was a teenage girl and Sue Fetterman pinching my arm in algebra and acting all nice to me one minute and spreading rumors about me the next. I’m going to spit in the face of my own hardcore feminism here and say that, really, I am so glad I didn’t have to raise a daughter through teenagerhood. Raising a son through those years has had enough challenges. I don’t think I could’ve survived living with a teenage girl. That said, let’s remind the readers that the song is actually REALLY FUNNY and SUPER SMART.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; Would you call me a sushi-eating progressive or a Marfa-visiting hipster?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; I would. Would you mind if I took (some) credit for that?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw: &lt;/strong&gt;Is my new CD slightly misogynist or just heterosexually honest?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike: &lt;/strong&gt;I guess some of the female characters do have their fair share of hard times, and some are based in archetypes that aren’t terribly progressive. But you? The only straight guy in the &lt;em&gt;Dick Monologues&lt;/em&gt;? Misogynist? I don’t see/hear that. And hell, a lot of the songs could be gender switched, sung by a woman about male characters you know? It’s storytelling to me, not sexism.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw: &lt;/strong&gt;Why is your son Henry a better guitarist that I'll ever be?  What do you feed him?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; He took up the guitar to punish me for disallowing him a sex change operation. He desperately wanted to be a teenage girl. When I said no, he said, &lt;em&gt;Fucking Fine, you want me to be a boy? Watch THIS.&lt;/em&gt; Then he started playing Hendrix riffs around the clock. Oh, and he feeds himself—that was my goal when I was raising him: raise a man who can feed himself and wipe his own ass because there are enough in this world who can’t. (Now who sounds sexist?)&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; You look great.  Have you lost weight?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike: &lt;/strong&gt;Thanks for noticing. It was the one sort of positive thing about the abovementioned ordeal. My anxiety was so high that I stopped eating and smoked about thirty packs a day. I lost forty pounds overnight practically. Now I’m eating again, and I quit smoking, but I swim like a mofo, which is why I’m not only so popular, but astonishingly tan.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; Do you still think I am a "left-handed Elvis Costello"?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; You’ve made me forget about EC entirely.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; What kinds of people will enjoy &lt;em&gt;CRUELTY&lt;/em&gt; the most?  &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; Any people who have ears and hearts will most enjoy &lt;em&gt;CRUELTY&lt;/em&gt;. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw: &lt;/strong&gt;How's your foot?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; Spectacular. Thanks for that. Are you ready to play a benefit to pay for me to get my womb wemoved?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; Do you have any good song title suggestions for me?  I'm always looking.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike:&lt;/strong&gt; How about a special song for my third wedding? Something with a little Hebrew in it maybe? No rush, though. Really. NO RUSH.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Paw:&lt;/strong&gt; How can I be more like The Boss?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Spike: &lt;/strong&gt;I think he needs to ask himself how he can be more like you, you know? That guy, I love him, but enough with the preaching already. Let’s get down to the music, you know, like Paw.&lt;/p&gt;

&lt;p&gt;&lt;em&gt;If Spike Gillespie could be in two places at once, she’d most certainly be at the Cactus Café on Tuesday, July 29th, for S&lt;a href="http://www.southpawjones.com"&gt;outhpaw’s CD release party&lt;/a&gt;. She blogs regularly for &lt;a href="http://launchpadcoworking.com"&gt;LaunchPad Coworking &lt;/a&gt;and at &lt;a href="http://www.spikeg.com"&gt;www.spikeg.com.&lt;/a&gt; She is also head mistress for the &lt;a href="http://www.dickmonologues.com"&gt;Dick Monologues.&lt;/a&gt; Next show is August 27th and you can email her at spike@spikeg.com to reserve seats.&lt;/em&gt;&lt;a href="http://www.statcounter.com/" target="_blank"&gt;&lt;img src="http://c34.statcounter.com/3500868/0/fd9bfe13/1/" alt="free html hit counter" border="0"&gt;&lt;/a&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/24/i_am_so_popular_left_handed_lovin_m_1.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">spikegillespie</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">19</id>
    <title xmlns="http://www.w3.org/2005/Atom">Austinist Photo Essay: Austin's DJ</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;img alt="photoessay.gif" src="http://austinist.com/attachments/Justin Cox/photoessay.gif" width="640" height="125" /&gt;&lt;/p&gt;

&lt;p&gt;*&lt;em&gt;Editor's Note:  Every Wednesday, we will be bringing you a set of photographs taken by our photo essay staff. Any opinions conveyed via the photographs or commentary are those of the essayist and are not representative of Austinist as a whole.&lt;/em&gt;*&lt;/p&gt;

&lt;p&gt;*&lt;em&gt;Disclosure: Patrick works as a Web Assistant at KUT, under guidance from KUT Web Producer and Austinist Music Editor Paige Maguire.&lt;/em&gt;*&lt;/p&gt;

&lt;p&gt;The following has been provided by essayist &lt;a href="http://flickr.com/photos/patrickdentler"/&gt;Patrick Dentler&lt;/a&gt;.&lt;/p&gt;

&lt;center&gt;&lt;img src="http://farm4.static.flickr.com/3224/2738175849_b8b8205ac8.jpg"&gt;&lt;/center&gt;

&lt;p&gt;As well known for rants and raves as eclectic as the music he broadcasts at 90.5 megahertz, KUT's John Aielli has been waking up Austin for the last thirty years. As Austin's public radio station approaches it's 50th birthday, Aielli shows no signs of slowing down.&lt;/p&gt;

&lt;p&gt;Beyond his morning variety show, /Eklektikos/, Aielli stays busy moderating live performances in KUT's Studio 1A, interviewing art and entertainment figures of Austin for his blog, /Aielli Unleashed/, and hosting /Eklektikos Live/, a premiere concert showcase of local acts in the Austin City Limits studio. John Aielli has a loyal following of listeners in and out of Austin who have remained faithful to KUT even when they cut into Aielli's airtime in favor of more NPR.&lt;/p&gt;

&lt;p&gt;He will remain an Austin mainstay for years to come and you can be sure memberships, contributions and listenership will follow, even if you do end up sitting through some obscure eastern orthodox choral hymns every once in a while.&lt;/p&gt;

&lt;p&gt;  - &lt;a href="http://flickr.com/photos/patrickdentler"&gt;Patrick Dentler&lt;/a&gt;&lt;center&gt;&lt;img src="http://farm4.static.flickr.com/3058/2739015036_140525f4b6_o.jpg"&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://farm4.static.flickr.com/3005/2738175459_fe4fd29c34.jpg?v=0""&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://farm4.static.flickr.com/3156/2739014832_725fe5c264.jpg?v=0"&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://farm4.static.flickr.com/3004/2739014692_0800c42992.jpg?v=0"&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://farm3.static.flickr.com/2131/2738175621_345e9c3881.jpg"&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://farm3.static.flickr.com/2102/2738175415_23f7433a14.jpg?v=0"&gt;&lt;/p&gt;

&lt;p&gt;&lt;img src="http://farm3.static.flickr.com/2396/2738175347_87b78f0b0f.jpg?v=0"&gt;&lt;/center&gt;&lt;/p&gt;

&lt;p&gt;&lt;br /&gt;
&lt;a href="http://flickr.com/photos/austinist/sets/72157606574578564/"&gt;Click here&lt;/a&gt; to see Patrick's complete photo set of John Aielli.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/06/austinist_photo_essay_austins_dj.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Justin Cox</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">20</id>
    <title xmlns="http://www.w3.org/2005/Atom">I Am So Popular: Act Now And Pay Only $50!!!</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080124_Spike2.JPG"/&gt;&lt;br /&gt;&lt;/div&gt;

&lt;p&gt;&lt;i&gt;Editor’s note:  The views expressed in &lt;strong&gt;I Am So Popular&lt;/strong&gt; are solely those of the author and do not necessarily reflect the outlook or beliefs of anyone else in the IST network.&lt;/i&gt;&lt;/p&gt;

&lt;p&gt;Once, I heard the writer Walter Kirn interviewed on Fresh Air and he was saying how, when he was a teenager, Mormons came to the door and his parents let them in and before you know it, they converted. And Terry Gross was like, &lt;em&gt;Whoa, Walter, hang on a minute, who lets Mormons in and then buys what they’re saying? &lt;/em&gt;&lt;/p&gt;

&lt;p&gt;And Walter said something like, &lt;em&gt;You know, Terry, of the eighty qua-billion Make Your Penis Enormous spams that go out, there are at least a couple of takers.&lt;/em&gt; His parents happened to be in one of those vulnerable places so they fell for the crap. (Note: I am entitled to pronounce Mormonism crap. I was, I am not shitting you, once married to a Mormon. Fucking &lt;em&gt;really&lt;/em&gt;.)Moral of Kirn’s story: everyone gets sucked in at some point and a lot of times we get sucked in when we let our guard down thanks to loneliness or a shitty job we’re desperate to ditch or some rationalization that we’re not really addicted to whatever we’re addicted to. &lt;/p&gt;

&lt;p&gt;Anyway, so recently I found in my PO box an unsolicited offer to make my life better. The notice said:&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Spike, here’s a complimentary Conference invitation for you and a guest! Spike, discover how entrepreneurs and small business owners are creating income using the Internet. Also, learn how you can make money using…&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;And under that there were the icons for &lt;em&gt;Google, Yahoo!, eBay, &lt;/em&gt;and &lt;em&gt;MSN&lt;/em&gt;. I was promised that, for absolutely nothing, I could learn amazing secrets and receive $100 worth of food and gifts. And, as in &lt;em&gt;Charlie and the Chocolate Factory&lt;/em&gt;, a free ticket fluttered out. Actually, two. &lt;div class="eventsright" style="width:184px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080807_IMG_0486.JPG"/&gt;&lt;br /&gt;&lt;a href="http://www.spikeg.com"&gt;exciting invitation to change my life!&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/p&gt;

&lt;p&gt;Eager for a night of bullshit, a complimentary $100 meal and a free gift, I asked Garreth to be my date. You might recall that Garreth and I &lt;a href="http://austinist.com/2008/02/07/i_am_so_popular_1.php"&gt;attended a WWE wrestling extravaganza awhile back, and sat ringside&lt;/a&gt;. We got to see Hornswoggle bite Mr. McMahon's ass up close. Garreth is a fan of learning as much as he can about anything he can—he’s actually Oxford educated! And we share the dirty secret hobby of actually reading self-help books and sharing how-to-improve-yourself &lt;em&gt;bon mots&lt;/em&gt; via text messaging.  &lt;/p&gt;

&lt;p&gt;Of course Garreth was game. We were going to try to persuade our respective partners to join us, but as it happens, Warren would prefer to be hit in the nuts with a sledgehammer and Mary has a &lt;em&gt;Just Say No Way In Hell&lt;/em&gt; to pyramid schemes, time share coercions, and any other plots to bilk. Plus Warren, upon scrutinizing the invite, laughed as he read from the fine print: &lt;em&gt;StoresOnline does not claim to have an affiliation with Google, Yahoo, eBay or MSN.&lt;/em&gt; He also noted the gift, an mp3 player, was off-brand. &lt;div class="eventsleft" style="width:184px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080807_Photo 172.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.spikeg.com"&gt;fake iPod&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/p&gt;

&lt;p&gt;I’m going to give my extremely short take on the “seminar” before turning the rest of this column over to G. Here’s my version:&lt;/p&gt;

&lt;p&gt;We show up, are forced to put on nametags, and are seated in the front row by some guys dressed like Mormons (interesting aside: the company putting on the soiree is based in Utah). The presenter comes out and as he gives his PowerPoint, all I can think is, &lt;em&gt;I wish his brain had super titles like at the opera so I could see all the vitriolic things he’s thinking about how much he hates us and his job and so it could be revealed to me what dream he failed to live out—rock star? super model? tollbooth operator?— that meant he had to take this gig convincing people that his product would change their lives.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;He told us normally the software they sell to get us rich by helping us build a web site through which we might sell vast quantities of anything, runs around two hundred clams. But tonight? TONIGHT? &lt;em&gt;Fifty bucks!&lt;/em&gt; &lt;/p&gt;

&lt;p&gt;You could see the roomful of sad dreamers sit up at this. You could feel all of them hating their lives and their jobs, thinking in synch: &lt;em&gt;Fifty dollars? Fifty dollars? Why I could write a hot check for that and not go to jail…&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;There were other promises made—the upcoming all-day seminar which usually costs $500 but tonight—TONIGHT! If only we would sign up for their software… if we were &lt;em&gt;READY TO TAKE THE RIGHT ACTION&lt;/em&gt;… well, then, they’d throw that in for free, too. Let me let Garreth tell you the rest:&lt;/p&gt;

&lt;p&gt;&lt;em&gt;I lap this stuff up. I see it as training. If I train on escaping unsold from something I really don't want, I might build up some resistance to being sold on things that I may want a little. And also, I'm a student of persuasion. As a REALTOR® I am constantly bombarded with opportunities for training, as it seems the real estate industry is 45% made up of helping people to buy and sell homes, and the remainder consists of helping REALTORS® to do that through courses, mentoring, seminars and 'presentations.’ So I was understandably excited about the prospect of a seminar with free food, good company and an imitation iPod Shuffle.  &lt;/p&gt;

&lt;p&gt;Signing in as Mister Gillespie, so as to protect the innocent and their personal privacy, I studiously avoided everyone's eyes. Much as everyone else was doing. It was like that corridor where you wait to give sperm samples for money. No one acknowledges that anyone else exists. If I can't see them, they can't see me. &lt;/p&gt;

&lt;p&gt;Spike kept looking at her watch and announcing the minutes until dinner and I listened feverishly to the preacher. And he was a preacher. There were some 200+ people in the room by my estimates, and we were all transfixed by the sheer simplicity of what he said. &lt;/p&gt;

&lt;p&gt;Now, as a background, I have recently finished reading the Four Hour Work Week – a book that encourages us to throw off the shackles of employment and set up our own businesses using the interweb that we can manage virtually from a beach with a margarita in one hand and a fishing rod in the other. And this presentation spoke very well to the idea of setting up a fully operational e-commerce business in as little as three clicks. &lt;/p&gt;

&lt;p&gt;The preacher raved and intoned and gesticulated in a very animated way. He told the story of the internet, and above small print that told us that the stories were not typical of the results of people using the system, told us fantastic stories of people selling things on the internet.  &lt;/p&gt;

&lt;p&gt;The girl to my left wrote "I can smell the bullshit" on her pad. For all my psychic anti-influence defence training, I started to believe. To believe in a better place where I could have a website. A business. A magic wand to cut away the ties to employment and fly on the magic carpet of the world wide web.  &lt;/p&gt;

&lt;p&gt;Only this was 2008. About nine or ten years ago, I had played a part in the formation of an internet technology company, which helped blue chip clients to develop their internet businesses. Even six or seven years ago, this sort of stuff would have been pretty neat. Before people had written books and movies about eBay stores and Yahoo stores. &lt;/p&gt;

&lt;p&gt;I like to think that I was thinking all of this at the time, but in reality, I was pretty keen in the inform-a-frenzy. The idea of drop shipping, zero inventory, complete intermediation – putting myself in the middle of the buyer and seller. I could be that middle man – I could be the inefficiency in the market. I could tax every transaction and sip that top shelf cocktail with a marlin running with the bait.  &lt;/p&gt;

&lt;p&gt;Once I had suspended disbelief that I was actually a member of the studio audience in some infomercial, I started to think that I, too, could do this. I could sell rocks on the internet. Or sell bottled-anger. The key point that almost tipped me over the edge was that if I didn't do this now, then when would I? And the price was just fantastic for what was being offered. And then the price got slashed. And then slashed again. &lt;/p&gt;

&lt;p&gt;As we gasped in disbelief at just how chronically insane the organizers must be to offer so many bundled products and services for one low price of $50, the e-shopping paratroopers descended upon us with order forms. I was at the point where I was thinking "Why not?" And then Spike confiscated my order form so that I couldn't buy. &lt;div class="eventsright" style="width:184px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080807_IMG_0371.JPG"/&gt;&lt;br /&gt;&lt;a href="http://www.spikeg.com"&gt;order form for useless product&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/p&gt;

&lt;p&gt;One paratrooper came up to us and asked if we liked the presentation. He even had an online business of his own. He didn't want to tell us what his business was, to avoid a conflict of interests, but he hadn't reckoned with the journalistic skills of my compadre, who soon ferreted out his product. Thinking about it, if he didn't have the sales-foo to resist joining the cult in the first place, he would be putty to Spike's crouching tiger journalism-foo in extorting his internet business. He left, defeated, and we got the $100 meal. &lt;/p&gt;

&lt;div class="eventsleft" style="width:184px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080807_IMG_0370.JPG"/&gt;&lt;br /&gt;&lt;a href="http://www.spikeg.com"&gt;garreth eating $100 sandwich&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;In case you were wondering, the bag of chips, cookie and ham and cheese croissant each (not to mention the cult inducing fruit punch) were probably worth only $50 at perhaps the most expensive restaurant on New Year's Eve putting on an event at the top of the Eiffel Tower, so I'm guessing &lt;em&gt;$100 value &lt;/em&gt;applied to both meals. 

&lt;p&gt;The Russians next to us were waiting for the MP Free player, and I was shocked and amazed that the preacher man was actually handing them out like so much free tainted candy at the exit.  Spike grabbed one and gave it to me. She got one too. Not only did it kindly display the URL of the online store software on the box, I later discovered it was loaded with a Lionel Richie tune. Oh joy! &lt;/p&gt;

&lt;p&gt;I literally rushed home, and plugged it into my PC. It took me a while to realize what the little gadget had done. It had installed itself as a portable drive. I immediately started to copy self-help books about not buying online shopping stores onto it. &lt;/p&gt;

&lt;p&gt;The slightly more cunning thing it had done was to mount itself as a CD device and automatically run an install program on my PC. Which does who knows what? That took me aback, and it was all I could do not to smash the little box into bits. But I keep it. I keep it to remind me of all the online stores I didn't build.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Spike Gillespie is afraid to try her free mp3 player. She blogs regularly for &lt;a href="http://launchpadcoworking.com"&gt;LaunchPad Coworking&lt;/a&gt; and at &lt;a href="http://www.spikeg.com"&gt;www.spikeg.com.&lt;/a&gt; She is also head mistress for the &lt;a href="http://www.dickmonologues.com"&gt;Dick Monologues&lt;/a&gt;. Next show is August 27th and you can email her at spike@spikeg.com to reserve seats.&lt;a href="http://www.statcounter.com/" target="_blank"&gt;&lt;img src="http://c34.statcounter.com/3500868/0/fd9bfe13/1/" alt="free html hit counter" border="0"&gt;&lt;/a&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/07/i_am_so_popular_act_now_and_pay_onl.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">spikegillespie</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">21</id>
    <title xmlns="http://www.w3.org/2005/Atom">Austin Bites: Somnio's Cafe</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsright" style="width:214px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080807_somnios.jpg"/&gt;&lt;br /&gt;&lt;a href="http://austinist.com/staff.php"&gt;Photo by David Kalina&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;strong&gt;Somnio's Cafe&lt;/strong&gt; &lt;br&gt;
&lt;em&gt;Location&lt;/em&gt;: 1807 South First St. [&lt;a href="http://maps.google.com/maps?f=q&amp;hl=en&amp;geocode=&amp;q=1807+South+First+St.+austin+78704&amp;sll=37.0625,-95.677068&amp;sspn=28.196369,60.380859&amp;ie=UTF8&amp;ll=30.249447,-97.75594&amp;spn=0.007489,0.014741&amp;z=16&amp;iwloc=addr"&gt;map&lt;/a&gt;]&lt;br&gt;
&lt;em&gt;Phone&lt;/em&gt;: (512) 442-2500&lt;br&gt;
&lt;em&gt;Cost&lt;/em&gt;: Appetizers $5-7, Entrees $7-10, BYOB&lt;br&gt;
&lt;em&gt;The 411&lt;/em&gt;: &lt;strong&gt;There's a new restaurant on South 1st St., and odds are good that locals may have passed it by without noticing.  In spite of the entire front wall boldly displaying its name, Somnio's Cafe occupies what might be a cursed location:  recessed from the street with a windowless facade, nearly invisible in the enormous, crowd-pleasing shadows of Freddie's and Polvo's.&lt;/strong&gt;

&lt;p&gt;Of course, Somnio's does not exist to compete with local giants. Instead, it is a simple and modest restaurant that serves up what the proprietors proclaim to be "South Austin Cuisine."   This bold declaration might pique one's curiosity.  After all, what in the name of 78704 is "South Austin Cuisine?"  Austin as a whole suffers from a lack of culinary identity; have the proprietors of Somnio's unlocked the secret to the city’s gastronomical destiny?Thus far, the answer would appear to be "no."  Though Somnio's proudly prepares a "vegetarian-friendly, chef-driven menu with fresh and organic ingredients" -- a combination that should please the nearby population -- the dining experience is thoroughly uneven.  The waitstaff project a casual and somewhat uncertain air, legitimately friendly but perhaps trying a bit too hard to please.  If you are the sort of diner who finds every claim of "excellent choice!" to be somewhat suspect, be forewarned.  &lt;/p&gt;

&lt;p&gt;The menu reflects the restaurant’s uncertain direction, blending Asian-style dumplings and veggie stir-fries with salads and pasta, and of course, the ubiquitous taco. There were some impressive dishes:  the Asian-style shiitake dumplings were surprisingly sumptuous, and may have you scouring your plate for stray bits of mushroom.  The "Sissy Salad" managed to outshine the main dish it was paired with; its sassy blend of apples, avocado, jalapeno, and pecans are tossed with a zesty garlic vinaigrette that may just please your palette. &lt;/p&gt;

&lt;p&gt;Other selections fared less well.  The fried green beans were a curiosity; the natural flavor of the bean mostly lost beneath the fry batter, the fresh peach salsa saving the appetizer from proving utterly forgettable.  The orange pork tacos, oddly, offered little detectable orange flavor.  The pork shoulder was tender, but the flavor was mellow, and the queso fresco and mild red salsa failed to generate any taco synergy.  The breaded pork medallions, served atop a generous portion of pesto pasta made for a hearty combination, but ultimately tastes strange and uninspired, as if two individually lackluster dishes were randomly smashed together.&lt;/p&gt;

&lt;p&gt;In spite of its missteps, Somnio's is a place worthy of further investigation.  While the quality of the food is scattershot, there are hints of genuine creativity and love in the rather affordable menu, and the promise of evolving seasonal choices will provide ample reason to return.  The fact that it is currently a BYOB establishment only increases its appeal in these early, uncertain days.  Spiritually, Somnio’s is on the right track, but without a more coherent culinary vision, “South Austin Cuisine” might never signify anything greater than a mere taco.  &lt;/p&gt;

&lt;p&gt;[&lt;a href="http://www.somnioscafe.com/"&gt;Somnio's Cafe&lt;/a&gt;]&lt;/p&gt;

&lt;div class="update"&gt;&lt;strong&gt;Austinist Asks:&lt;/strong&gt; Is there such a thing as 'South Austin Cuisine'? Does Austin possess a culinary identity beyond our breakfast tacos and barbecue? We'd love to hear from you in the comments! -- Ed Note&lt;/div&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/08/austin_bites_somnios_cafe.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">David Kalina</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">22</id>
    <title xmlns="http://www.w3.org/2005/Atom">Burn, Black Rock, Burn: &lt;em&gt;Burning Man: Beyond Black Rock&lt;/em&gt; at the Alamo Ritz</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsleft" style="width:264px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080814_BBR_BBR.jpg"/&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="events"&gt; &lt;b&gt;&lt;a href="http://www.originalalamo.com/Show.aspx?id=5554"&gt;&lt;em&gt;Burning Man: Beyond Black Rock&lt;/em&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;August 16 &amp; 17&lt;br /&gt;Alamo Drafthouse Downtown (&lt;a href="http://maps.google.com/maps?q=austin,+tx,+320 E 6th Street" target="_blank"&gt;320 E 6th Street&lt;/a&gt;)&lt;br /&gt;4pm, $8.50&lt;br /&gt;[&lt;a href="http://www.originalalamo.com/Show.aspx?id=5554"&gt;info&lt;/a&gt;] | [&lt;a href="https://www.originalalamo.com/online_tix/buy_new.asp?showing=113002"&gt;tickets&lt;/a&gt;]&lt;/div&gt;&lt;/div&gt;After you’ve lived here in Austin for a while, you’re bound to end up at an “off the beaten path” kind of party. The kind where everybody has dreadlocks and wears fuzzy pants or Cabbage Patch head bikinis, where all the hot chicks toss flaming batons around, and someone drives a &lt;a href="http://lh5.ggpht.com/_4DuqZPnokZA/Rudjo64yuRI/AAAAAAAABAU/MQV8xXNUh1E/DSC02447.JPG"&gt;car covered in Astro-turf&lt;/a&gt; or cassette tapes or smurfs or something. You know at that moment that you are among Burners.

&lt;p&gt;Every year the most adventurous (and some say most interesting) people pack their RVs and head out to Black Rock City, Nevada for a week of wild times. It’s called &lt;a href="http://www.burningman.com/whatisburningman/"&gt;Burning Man&lt;/a&gt;—one week a year where 30,000 people come out to the middle of the desert and create their own art and their own community, and do...whatever they want. And at the end, they burn a several-stories-high statue of a man and Black Rock City disappears.&lt;/p&gt;

&lt;p&gt;But just when you think you understand—it’s a community of naked artists dancing around on acid, right?—you end up talking to those longhairs and start thinking they're not as weird as you thought they'd be. Or you meet some people at the party that you would never guess were Burners: doctors, lawyers, city officials, architects—normal people, who just like to go out and be part of a truly unique experience. They tell you that there are amazing sculptures, art installations, a spiritual vibe, a bonding that goes on…there’s obviously a lot more to it than you thought. And this weekend, you have a chance to check it out, as your Good Friends at the Alamo Ritz are screening &lt;em&gt;Burning Man: Beyond Black Rock&lt;/em&gt;, a documentary pulling back the curtain and showing you just what Burning Man is; and more importantly, what it’s all about.&lt;/p&gt;

&lt;p&gt;So if you’re wondering what to do Saturday or Sunday afternoon—can’t stay in any longer but it’s too hot to do anything outside, we’ve been there—maybe head on down to get a taste of what’s about to happen in the middle of Nevada (somewhere much hotter) in just a week or two. Heck, the film might even make a convincing enough case that you’ll be scrambling for tickets. Or, if you’re already down with Black Rock, you can scan the crowd for someone with an RV, and maybe hitch a ride.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/14/burn_black_rock_burn_burning_man_be_1.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">msfrederick</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">23</id>
    <title xmlns="http://www.w3.org/2005/Atom">The Daily Photoist: August 6, 2008</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;em&gt;Every weekday morning we'll be featuring a photo (or two) from our readers. Please feel free to submit your photos by adding them to the &lt;a href="http://www.flickr.com/groups/austinist/"&gt;Austinist Flickr Group&lt;/a&gt;.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Along the Water&lt;/strong&gt;&lt;br /&gt;
&lt;font size="1"&gt;BY &lt;a href="http://www.flickr.com/photos/davisayer/"&gt;DAVISAYER&lt;/a&gt;&lt;/font&gt;&lt;br /&gt;
&lt;div style="width:640px;"&gt;&lt;a href="http://www.flickr.com/photos/davisayer/2737069038/"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080806_080608.jpg" border="0"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/08/06/the_daily_photoist_august_6_2008.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Justin Cox</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">24</id>
    <title xmlns="http://www.w3.org/2005/Atom">No Place Else to Sit: Austinist Interviews Maria Bamford</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsright" style="width:214px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080723_bamford1.jpg"/&gt;&lt;br /&gt;&lt;a href="http://mariabamford.com/"&gt;Photo courtesy Maria Bamford&lt;/a&gt;&lt;/div&gt;&lt;div class="events"&gt; &lt;b&gt;&lt;a href="http://www.capcitycomedy.com/comedians/Bamford.html"&gt;Maria Bamford at Cap City&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;July 29th and 30th, 8pm&lt;br /&gt;Cap City Comedy Club (&lt;a href="http://maps.google.com/maps?q=austin,+tx,+8120 Research Blvd" target="_blank"&gt;map&lt;/a&gt;)&lt;br /&gt;$15, 8pm&lt;br /&gt;[&lt;a href="http://www.capcitycomedy.com/comedians/Bamford.html"&gt;info&lt;/a&gt;] | [&lt;a href="http://www.ticketweb.com/snl/VenueListings.action?venueId=capcitycom1"&gt;tickets&lt;/a&gt;]&lt;/div&gt;&lt;/div&gt;Maria Bamford is practically her own comedic brand: She headlined the Comedians of Comedy Tour (alongside Patton Oswalt, Zach Galifianakis, and Brian Posehn), she starred in her own sitcom on SuperDeluxe! called &lt;em&gt;The Maria Bamford Show&lt;/em&gt;, and she’s part of the all-star ensemble assembled by &lt;em&gt;Arrested Development&lt;/em&gt; creator Mitch Hurwitz to star in the upcoming animated series &lt;em&gt;Sit Down, Shut Up&lt;/em&gt;.

&lt;p&gt;So it’s no small miracle that Ms. Bamford will grace our fine city not once but twice in the next two months: at the Cap City Comedy Club next week (July 29-30), and again on August 26 to kick off the Out of Bounds improv festival.  We recently spoke with Maria about her experience filming the pilot of &lt;em&gt;Sit Down, Shut Up&lt;/em&gt; and her upcoming Austin performances.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;The last time I talked to you, I think you had just finished filming the last episode of  &lt;em&gt;The Maria Bamford&lt;/em&gt; show?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Yes, yes, yes.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;So all of those have aired?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Yes. It’s a complete set. We hope to get it on a set, all 20 on a DVD, but I haven’t been able to get it yet.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Do you have any plans to do anything like that again? &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;I’d like to do something, but I can’t think of anything else. I think I’d want to have more people involved. It was just me&amp;mdash;and it was like, “I wish there were five people around.” You can have more fun. But, you know, I haven’t gotten any offers. I’m percolating. Like a cup of coffee.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;You’re really busy right now. &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;I’m hustling around. I’m on a show for Fox, which is a new animated thing. But they just went on strike. So I’m trying to hustle and go out on the road and do some writing. I’m also doing a CD for Comedy Central, which is my third one. I was also hoping to put out a DVD, but I haven’t scheduled it yet. I think that would be great, too.&lt;/p&gt;

&lt;p&gt;It’s all happening, man.&lt;strong&gt;What can you tell me about &lt;em&gt;Sit Down, Shut Up&lt;/em&gt;?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;It’s on Fox, and it is developed by Mitch Hurwitz, who did &lt;em&gt;Arrested Development&lt;/em&gt;. As co-producers, they have some guys that worked on &lt;em&gt;The Simpsons&lt;/em&gt;&amp;mdash;I know it’s Josh Weinstein and another gentleman whose name escapes me. It stars Jason Bateman and Henry Winkler and a lot of the people from Arrested Development. Cheri Oteri.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Will Forte.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Yes! Will Forte and Will Arnett. See, you know.&lt;/p&gt;

&lt;p&gt;The most important thing, though, is this motorcycle rally I’m doing with my dad in August. My dad is going to open for me, and he’s going to do impersonations of me that he’s been working on.&lt;/p&gt;

&lt;p&gt;He ran one past me and I was like, “Dad, that never happened.” He said, “Oh, it was supposed to have happened?” It’s going to be pretty funny. Maybe my mom will do something. But she won’t get paid&amp;mdash;I told her there’s only a budget for one opening act. &lt;/p&gt;

&lt;div class="eventsleft" style="width:259px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080723_bamford2.jpg"/&gt;&lt;br /&gt;&lt;a href="http://mariabamford.com/"&gt;Photo courtesy Maria Bamford&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;

&lt;p&gt;&lt;strong&gt;You just filmed the pilot of &lt;em&gt;Sit Down, Shut Up&lt;/em&gt;...have you filmed any other episodes?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;We just did the first episode, and they just said it was supposed to be 13 episodes that got picked up. It may be a while before we get to the rest of the 13. I don’t really know what happens with that. Whatever happens, it will be the will of God. Right?&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;That’s right.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;But it was really neat working with so many famous and extremely talented people. And they had three different sandwich fillings: you could get tuna fish, chicken salad, or a vegetarian filling, and you had that on a roll. It was just out there like it was no big deal.&lt;/p&gt;

&lt;p&gt;And they had fresh potato chicks that had been made&amp;mdash;made!&amp;mdash;that day by some guy. And that’s what I have to say about &lt;em&gt;Sit Down, Shut Up&lt;/em&gt;. It was really funny. It’s very funny.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;It’s animated&amp;mdash;when you film that, you’re on the set with everyone? It’s not just you recording your lines?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Everyone is there, and that’s great. We did the whole day, 9 a.m. to 6 p.m., and we were all there together. It was exciting. So Cheri Oteri had to talk to me for an extended period of time, whether she wanted to or not. Well, she’s super nice, but it was nice because there was no place else to sit. So Jason Bateman had to talk to me.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Were you watching the cartoon as you recorded your lines?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;With every animated thing I’ve done, you record the voices first and then the animators animate. But these guys were filming it to see our faces, so I guess the animation is going to be inspired by our face movements, too, which is pretty cool. Kind of neat.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;And you make a lot of faces.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Exactly. And the character I play is the groovy, hipster hippy at school who has a baby she doesn’t care for very well and is oblivious to everything because the world is suffering&amp;mdash;which she isn’t ameliorating at all. It’s very well-written and all of the characters are very funny.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Mitch Hurwitz and Will Arnett and Jason Bateman worked together on Arrested Development&amp;mdash;was there any sort of clique you felt like you had to break into? Were they all pretty approachable?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;They were all really friendly and seemed really nice. I had to stop myself from acting weird. But they were all very nice. Henry Winkler brought in an orange pound cake that he had made, and he brought some copies of his children’s books. He writes children’s books&amp;mdash;they’re autobiographical. In one of them he talks about how he had ADD.&lt;/p&gt;

&lt;p&gt;It would be weird to know that, when somebody meets you, they’re going to tell other people about how they met you. Like, “Okay, so he was talking to me, and then he stopped talking for a second, and then he started talking to another guy, and then he started talking to me again.”&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;So you come to Austin in late July for two days? &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Yes, and then I’m coming in August for the improv festival. I’m going to host.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Out of Bounds.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;I’m coming in for the beginning. I like to do the mid-week show. It’s fun; it’s low-pressure. No one is like, “This is my Saturday! This is my blowout! This is my weekend, I have to make something happen!”&lt;/p&gt;

&lt;p&gt;I like a Tuesday-Wednesday vibe, which is more like, “Hmmm, what’s something fun I could do before I go to sleep?”&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Well, on a Wednesday you only have to be as funny as &lt;em&gt;According to Jim&lt;/em&gt;.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Exactly! I’m up against &lt;em&gt;According to Jim&lt;/em&gt; in the timeslot.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;You have to be &lt;em&gt;Two and a Half Men&lt;/em&gt; funny.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;I’ve never thought about it that way. I should start looking at my own Nielsen ratings. There should be performance ratings&amp;mdash;you know, there could be four million people watching &lt;em&gt;So You Think You Can Dance&lt;/em&gt;, but there are five people watching me at a coffee house in Los Angeles. Those people should be counted as well.&lt;/p&gt;

&lt;p&gt;It’d be interesting to see a huge graph across the spectrum of what everyone is doing. How many people find mowing their lawn much more interesting than &lt;em&gt;According to Jim&lt;/em&gt;.&lt;/p&gt;

&lt;div class="eventsright" style="width:236px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080723_bamford3.jpg"/&gt;&lt;br /&gt;&lt;a href="http://mariabamford.com/"&gt;Photo courtesy Maria Bamford&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;

&lt;p&gt;&lt;strong&gt;I don’t know, there’s an episode of &lt;em&gt;According to Jim&lt;/em&gt; where Jim mows his lawn.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;It’d be interesting to see, comparatively, how many people were actually mowing their lawns.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;You come to Austin in late July, and then you do your Comedy Central taping in Los Angeles at the UCB, right?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Yes.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;With Comedy Death Ray?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;I’m going to do it two nights in a row. One night will be with Comedy Death Ray and then one night will be at the UCB, but they’ll be separate. But the same 52 minutes of jokes.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;And you perform at the UCB in LA a lot, right?&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;As much as I can get in there. It’s good. It’s really nice. And it’s such a nice scene&amp;mdash;you don’t have to buy drinks and it’s only five bucks to get in. And it’s all ages.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Is it tough to invest time in a political joke, to politicize your set, when you know you can only really tell it until November. I mean, you could write this really great political joke and it’s only going to last until the election.&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;I like to write lasting jokes&amp;mdash;like how I feel in general about politics. I did write a joke about how I talked to George Bush last night underneath my covers with the part of George Bush being played by my 11-year-old punk Blossom. And I didn’t feel like that is a joke that will be lasting, but it was fun. And I did it for a couple of years. I just write about what I’m excited about.&lt;/p&gt;

&lt;p&gt;But that’s the problem&amp;mdash;it’s so satisfying for people to hear specific current references. It’s so wonderful to hear those. But it takes me a long time to write jokes so I usually stick with humor that will be generically lasting over time.&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/24/no_place_else_to_sit_austinist_inte.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">ESeufert</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">25</id>
    <title xmlns="http://www.w3.org/2005/Atom">Austinist Indieroke on Friday!</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsleft" style="width:314px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080724_indie_july25.jpg"/><br/></div><div class="events"> <b><a href="http://www.mohawkaustin.com/">Austinist Indieroke</a></b><br/>Friday, July 25<br/>The Mohawk (<a href="http://maps.google.com/maps?q=austin,+tx,+912 Red River" target="_blank">912 Red River</a>)<br/>11 p.m., 21+<br/>[<a href="http://www.mohawkaustin.com/">info</a>]</div></div>

<p>Allow us to set the scene: you and your best girlfriends and/or bros are ready to get a liquored up, a little vocal, a little <em>crazy</em>. So you all pile into the van and head down to one of the karaoke rooms on North Lamar, bring in a Heineken mini-keg and hope for the best.  The first in a list of disappointments is the song selection – mostly bygone hits, <strong>Helloween</strong> and chart-toppers from the Far East, and after warbling “Thunder Road” to your pallys, you get the big bill. Ouch.  So at the end of the night, you’re right back where you started, which is singing <strong>The Smiths</strong> into a hairbrush, though you’re now poorer, hoarse, and the melancholy itch of “How Soon is Now” is ever more palatable.  </p>

<p>Well, leave it up to us to present the antidote: Austinist Indieroke.  Not only is it free, fun, and chock-full of cool folks and rock stars, but the list of tunes is unparalleled.  At what other karaoke night can you find <strong>Pink Floyd</strong>’s “See Emily Play,” <strong>Cheap Trick</strong>’s “She’s Tight,” <strong>The Velvet Underground</strong>, <strong>Built to Spill</strong>, <strong>The Cure</strong>, and yes, <strong>Morrissey</strong>?  In case you were concerned, all of your sing-a-long favorites are here as well, from <strong>The Carpenters</strong> to <strong>Kylie Minogue</strong>, and <strong>Britney Spears</strong> to <strong>Sam and Dave</strong>.  They’ve even got <strong>S Club 7</strong> in case someone (god forbid) wants to play that card.  </p>

<p>What’s more, prizes will be awarded to winners of Best Female Performance, Best Male Performance, and Best Duet or Group Performance.  Golden-throated carolers stand to win everything from beers to free passes to future Mohawk shows, and six lucky runners-up will have their visages splashed across this website. Oh, and the professionals will be out in force, as well. Chris Simpson of <strong>Zookeeper</strong> and Mike Booher of <strong>Zykos</strong> are promising a duet that is “equally tough and tender.” </p>

<p>Indieroke starts at 11 p.m. in The Mohawk’s Green Room, but come on out early to catch the wizardry of San Antonio’s own <strong>Buttercup</strong> and <strong>Elsinore</strong> at 9 p.m. inside.   </p>

<p>Austinist Indieroke: [<a href="http://www.myspace.com/indieroke">myspace</a>]<br/>
<a href="http://flux-rad.com/indieroke/KaraokeTracklist_feb2008.xls">Karaoke Tracklist</a><br/>
</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/25/austinist_indieroke_on_friday.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">Adam S</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml">
    <id xmlns="http://www.w3.org/2005/Atom">26</id>
    <title xmlns="http://www.w3.org/2005/Atom">Hear it in the Pages: Austinist Reviews &lt;em&gt;Comic Book Tattoos&lt;/em&gt;</title>
    <content xmlns="http://www.w3.org/2005/Atom" xmlns:default="http://www.w3.org/1999/xhtml" type="xhtml">
      <div xmlns="http://www.w3.org/1999/xhtml"><div class="eventsright" style="width:236px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080728_tattoo.JPG"/><br/><a href="http://www.toriamos.com">Image from toriamos.com</a></div></div>There are coffee table books, and there are glittering behemoths, good behemoths, that happen to be book-shaped.  <a href="http://www.toriamos.com">Comic Book Tattoo</a>, an anthology of standalone comics inspired by <a href="http://http://www.toriamosmusic.com/">Tori Amos</a> lyrics, comes alive in almost 500 pages of startlingly unique tales from over 80 different writers and illustrators.  They provide a staggering artistic range – one moment you’re immersed in an oil painting, the next a photo realistic poem, then suddenly you’re smack in the middle of a stark black-white-red cityscape before emerging out of a bright cartoon.

<p>The stories take hold like an electrical charge.  While Amos’ lyrics serve as the foundation for plot and imagery, the characters quickly take on powerful emotional lives of their own, rendering each story wholly unpredictable and unendingly rich.  These interpretations span Amos’ entire repertoire, including B-sides, new work, and even a nod to the Y Kant Tori Read days.</p>

<p>But this collection transcends fandom.  It’s a celebration of art, and its power to terrify, stimulate, provoke, amuse, and surprise.  Sometimes the dialogue is poetic, sometimes hard-edged, sometimes not there at all as the pictures speak for themselves.  Every story reads like a different world, and the fearless lack of barriers between these diverse forms of expression emphasize just how unifying creativity really is.  If Amos’ lyrics are a platform for this project, these contributors have chosen to fly off of it, bringing back skies that contain undiscovered planets.  If you love comics, see what these artists can do to you in just a few 12” x 12” pages.  Fans of author <a href="http://www.neilgaiman.com">Neil Gaiman</a> will also enjoy his moving introduction.</p></div>
    </content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/28/hear_it_in_the_pages.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">SarahMarie</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">27</id>
    <title xmlns="http://www.w3.org/2005/Atom">&lt;em&gt;Austinist Indieroke&lt;/em&gt; Wrap-up!</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;p&gt;&lt;object width="640" height="640" align="middle"&gt;&lt;param name="FlashVars" VALUE="ids=72157602423189663&amp;names=Two Gallants @ Mohawk - 10/13/2007&amp;userName=austinistdotcom&amp;userId=22112066@N00&amp;titles=on&amp;source=sets"&gt;&lt;/param&gt;&lt;param name="PictoBrowser" value="http://www.db798.com/pictobrowser.swf"&gt;&lt;/param&gt;&lt;param name="scale" value="noscale"&gt;&lt;/param&gt;&lt;param name="bgcolor" value="#ffffff"&gt;&lt;/param&gt;&lt;embed src="http://www.db798.com/pictobrowser.swf" FlashVars="ids=72157606383009972&amp;names=Austinist Slideshow&amp;userName=austinistdotcom&amp;userId=22112066@N00&amp;titles=on&amp;source=sets" loop="false" quality="best" scale="noscale" bgcolor="#ffffff" width="640" height="640" name="PictoBrowser" align="middle"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;&lt;em&gt;Austinist Indieroke&lt;/em&gt;&lt;/strong&gt; had another successful outing last Friday on the patio at &lt;strong&gt;The Mohawk&lt;/strong&gt;. From The Cranberries to The National, and from Led Zeppelin to Iron Maiden, we heard it all. As always, stellar renditions of The Cure and Journey classics were in the mix as well. Good times!&lt;/p&gt;

&lt;p&gt;As promised, here is our list of winners from &lt;em&gt;Austinist Indieroke&lt;/em&gt;, 7/25/08:&lt;/p&gt;

&lt;p&gt;&lt;Strong&gt;Best Female Performance&lt;/strong&gt; -- &lt;Strong&gt;Alex Bolton&lt;/strong&gt; (“Creep” – Radiohead)&lt;/p&gt;

&lt;p&gt;&lt;Strong&gt;Best Male Performance&lt;/strong&gt; -- &lt;Strong&gt;Marcos Hernandez&lt;/strong&gt; (“Rebel Rebel” – David Bowie)&lt;/p&gt;

&lt;p&gt;&lt;Strong&gt;Best Duo or Group Performance&lt;/strong&gt; -- &lt;Strong&gt;Deborah Andrews&lt;/strong&gt; and &lt;strong&gt;Damon Gautreau&lt;/strong&gt; (“Midnight Train To Georgia” – Gladys Knight &amp; the Pips)&lt;/p&gt;

&lt;p&gt;[&lt;a href="http://www.myspace.com/indieroke"&gt;&lt;em&gt;Austinist Indieroke&lt;/em&gt; MySpace&lt;/a&gt;]&lt;/p&gt;

&lt;p&gt;&lt;em&gt;Photographs by &lt;a href="http://www.flickr.com/photos/nashcook/"&gt;Nash Cook&lt;/a&gt;&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;&lt;small&gt;&lt;em&gt;If you can’t view the Flash slideshow above, an alternate version appears after the jump.&lt;/em&gt;&lt;/small&gt;&lt;script type="text/javascript"&gt;var flickr_source_type = "photoset"; var flickr_source_id = "72157606383009972"; var flickr_image_size = ""; var update_browser_location = false; FJS.init(flickr_source_type, flickr_source_id, flickr_image_size, update_browser_location); &lt;/script&gt;&lt;/p&gt;</content>
    <link xmlns="http://www.w3.org/2005/Atom" type="text/html" rel="alternate" href="http://austinist.com/2008/07/28/austinist_indieroke_wrapup.php"/>
    <author xmlns="http://www.w3.org/2005/Atom">
      <name xmlns="http://www.w3.org/2005/Atom">adi anand</name>
    </author>
  </entry>
  <entry xmlns="http://www.w3.org/2005/Atom">
    <id xmlns="http://www.w3.org/2005/Atom">28</id>
    <title xmlns="http://www.w3.org/2005/Atom">Art Review: Let's Talk About Sex</title>
    <content xmlns="http://www.w3.org/2005/Atom" type="html">&lt;div class="eventsright" style="width:207px;"&gt;&lt;div class="eventsimg"&gt;&lt;img src="http://www.escapeest.com/images/austinist/080804_0809aml-phat-I.jpg"/&gt;&lt;br /&gt;&lt;a href="http://www.gallerylombardi.com/"&gt;Phat 1 by Amalia Litras&lt;/a&gt;&lt;/div&gt;&lt;div class="events"&gt; &lt;b&gt;&lt;a href="http://www.gallerylombardi.com/"&gt;Erotica 2008&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;Aug 2-30&lt;br /&gt;Gallery Lombardi (&lt;a href="http://maps.google.com/maps?q=austin,+tx,+602 West 7th Street Suite A" target="_blank"&gt;602 West 7th Street Suite A&lt;/a&gt;)&lt;br /&gt;Noon to 6, Tuesday-Sunday, free&lt;br /&gt;[&lt;a href="http://www.gallerylombardi.com/"&gt;info&lt;/a&gt;]&lt;/div&gt;&lt;/div&gt;&lt;strong&gt;Gallery Lombardi&lt;/strong&gt;'s &lt;em&gt;Erotica 2008&lt;/em&gt; is more than a meditation on sexuality.  It’s a multidimensional sensory explosion that challenges our relationship to sex, the body, and creativity with fearless exploration of these themes in nearly every conceivable form.  The exhibit, curated by Rachel Koper and Ron Prince, showcases over 50 adventurous works including painting, sculpture, video, installation, and mixed media.

&lt;p&gt;How’s this for original: in &lt;a href="http://http://www.foundobjectart.com/"&gt;Barbara Irwin&lt;/a&gt;’s object art piece, “Ecstasy,” a tiny golden woman arches her back over a bed in front of a round mirror, from the confines of a golden cage. Tim Alan Wilson presents gleaming dominatrixes and their eager servants, cut from bronze.  Reverent fertility offerings, like Oscar Silva’s “Goddess,” and &lt;a href="http://http://www.austinpeach.com/"&gt;April Garcia&lt;/a&gt;’s “In Full Bloom,” use soft textures and inviting shapes to pay homage to the creative possibility inherent in the vulva.  Silva uses seed pods to show the universality of this theme, and Garcia’s towering 38” x 50” sculpture make its metaphorical importance delightfully tangible.&lt;/p&gt;

&lt;p&gt;From humor to morbidity, Gallery Lombardi’s artists leave no aspect of erotica untouched.  Jennifer Cole’s ferocious oil painting, “You Want a Piece of Me?”, shows what happens when the blond who’s been hired to jump out of a cake (frosted “Mr. President”) turns fierce.  Even as she stands with cherries for nipples and breasts slathered in whipped cream, she licks the knife-point with an expression that says she’s anything but sweet.  &lt;a href="http://http://www.sarahsudhoff.com/"&gt;Sarah Sudhoff&lt;/a&gt;’s unbarred defiance of sex and sterility manifests in photography and video of her own ventures in the gynecologist’s office, and bathing in a medical basin.  Cy Smathers lightens things up, offering imagined insight into the specific endowments&amp;mdash;or lack thereof&amp;mdash;of various political figures (&lt;em&gt;Hint:&lt;/em&gt; Keith Obermann rides high and mighty ... Karl Rove, not so much), culminating in a mixed media on canvas piece that’s playful with a satirical bite. Local arts collective Hipnautica brought Saturday night’s opening reception to a magical close.  Their live Butoh performance art seemed right out of a haunted forest.  Surrounded by branches and dried flowers, in striking black-on-white makeup and ghostly garments, they lorded over open flames as DJed beats filled the night.  A fitting blessing for an exhibition not to be missed, you’ll even find Austinist’s own Julie Holden as the inspiration for &lt;a href="http://www.amalialitras.com/"&gt;Amalia Litras&lt;/a&gt;’s "Julie" series, which colorfully explores the human body from the inside.  Just because the heat is on doesn’t mean we can’t stand to get a little steamy.  &lt;/p&gt;

&lt;p&gt;&lt;em&gt;Erotica 2008 runs through August 30.&lt;/em&gt;&lt;br /&gt;
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      <name xmlns="http://www.w3.org/2005/Atom">SarahMarie</name>
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    <id xmlns="http://www.w3.org/2005/Atom">29</id>
    <title xmlns="http://www.w3.org/2005/Atom">I Am So Popular: The Phlebotomist Who Said, "Oh Shit!"</title>
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<i>Editor’s note:  The views expressed in <strong>I Am So Popular</strong> are solely those of the author and do not necessarily reflect the outlook or beliefs of anyone else in the IST network.</i>

<p>I used to donate a lot of blood, starting back when I was eighteen. I gave at least a couple of gallons over the years, maybe twice that, before tattoo sessions and piercings and low iron and sex with a guy that had HepC knocked me off the list first temporarily, then for good. </p>

<p>Something else I did a lot of was this—I took my kid almost everywhere with me, from the time he was born. Henry couldn’t have been more than four months old on his first long distance road trip. And not much older than that the first time he attended one of my readings. I took him to movies, restaurants, rock shows. I took him to bars, too, mostly (but not always) because I was doing a reading. He was the youngest kid ever let into Emo’s (he was three) and he even had his own special skanky chair at the gone-but-not-forgotten Electric Lounge, where I took him weekly for poetry slams. Austin being Austin, of course I had an opportunity to take him to mixed-use events, which is how it came to pass that he had the three-in-one chance to go to a bar/concert/blood drive with me. KGSR used to sponsor the Hearts for the Arts Blood Drive at La Zona Rosa, an event where you could listen to live music and give a pint and have a pint afterwards. </p>

<p>By that time, I was a seasoned donor and I asked the phlebotomist if the kid could come over and watch me get stuck. I wanted him to see how easy it was, maybe instill a little of that do-good spirit, understand that it didn’t hurt a bit. So there I was, lying on the table, and in goes the big, fat needle, and I feel this burning sensation rip through me. Which I’m absolutely certain is not right. And I’m trying not to scream, lest I freak the kid out. The phlebotomist, apparently less concerned, says, <strong><em>“OH SHIT,”</em></strong> having apparently gone through my vein, a first for me.</p>

<p>The arm swelled up and turned black around the needle hole pretty quick and I got to chalk up another hatch mark on the running scorecard, under the column <em>Parenting Errors.</em> That side of the card was pretty full already, and I’m only referring to my take on the matter. I’m certain there were other folks who watched the way I raised my kid and who, in turn, raised their eyebrows, eager to mark off even more points for what they deemed bad behavior on my part. (For what it’s worth, Henry hates needles to this day.)</p>

<div class="eventsleft" style="width:184px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080814_2442673837_05a51e2603.jpg"/><br/><a href="http://www.flickr.com/photos/17838082@N07/sets/72157604742833703">Henry on Theremin by Kathleen O’Hara</a></div></div>It’s pretty easy, when one has an only child that one raised on one’s own, to get self-righteous when that child turns out to be a young adult as swell as my kid. Don’t get me wrong. I’ve had the cop call in the middle of the night. We’ve done the truancy court thing. He’s called me some names that still make me wince if I let myself think about it. But in the end, I’m looking at a human about to turn 18, and he is compassionate, hilarious, gentle, creative, and one hell of a guitar player. (He’s not bad on the theremin, either.)

<p>Maybe it had nothing to do with nurture. Maybe I just lucked out in some big old lottery and landed me a good one, foolproof from the get-go, no matter how many errors I made. I like to think the story goes more like this: In large part because I was a single parent, I needed help from my friends. I couldn’t often afford babysitters. I had to work. And sometimes I just needed a break. Other times friends just wanted to take him for a while because he’s just damn enjoyable. So in the end, whole village and all that, I wound up with a kid raised in part by a pack of wild gay men, any number of girlfriends, at least one single straight guy that liked to take him out as chick bait, and, upon his return to our lives last year, even the kid’s biological father, who happens to be a good friend of mine. </p>

<p>This amalgamation of cool, nutty, different-view-pointed influences gave me what I have today. He is independent, employed (the longest standing employee at his workplace, having been there since he was fourteen), and calm. And he knows when and how to effectively tell me when I need to back off. He might be the only human on the planet capable of this. </p>

<div class="eventsright" style="width:184px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080814_IMG_0337.JPG"/><br/><a href="http://www.spikeg.com">spike and henry, rearview</a></div></div>Such was the case a week ago. His ’93 Cadillac was acting up so I gave him a lift to Ruta Maya where he was to drop off a deposit to rent the space for the EP release party for his band, <a href="http://www.myspace.com/seafieldsofelephants">Sea Fields of Elephants</a>. I stayed in the car. He was gone a long time, finally emerging to report that the barista had treated him like shit. He passed along this information matter-of-factly, not seeking a response. But even though I know how important it is for him to practice taking care of himself, remnants of Mama Bear emerged from hibernation and I said, only half-jokingly, and in my best Jersey girl fashion, “You want me to go have a word with her?”

<p>“No,” he said, firmly. “Besides, if you did, it wouldn’t do any good. It wouldn’t change her or make her treat anyone better.”</p>

<p>Where had he learned this? Certainly not from me, not all those years before I got into the Buddhism and the meditation and learned how to stop taking out everything from growing up with a shitty dad to having a hangover on some poor minimum wage customer service worker. If there is a hell, I think mine will be spent atoning for the shit I used to give those folks by being forced to slice boiled ham, very thin, for an endless line of pissy housewives in the netherworld.</p>

<p>I did ask why he chose that venue, as I’d had a bad experience when I booked a show there last year. Let me say that Ruta Maya is a fine establishment, a nice space. But they subcontract their booking to a group of folks I think have questionable practices, something I feel justified in saying since I’ve been booking shows all over this city for at least fifteen years. I know from the good, the bad and the ugly.</p>

<p>Hen told me the decision was made, it was a known venue to the band’s fans, and that was the end of it. I backed off. At least for the moment. Then came the night of the gig.</p>

<div class="eventsright" style="width:184px;"><div class="eventsimg"><img src="http://www.escapeest.com/images/austinist/080814_m_0b66dedbe903b2d6d3ed1265bb057803.jpg"/><br/><a href="http://www.myspace.com/seafieldsofelephants">sea fields of elephants</a></div></div>When the band, which had brought in a big audience, ran over ten minutes past the 9 p.m. end time in their contract, rather than let them play an encore (as so many bands have done for so many times over the year), the booking people shut them down at the soundboard. It was a nice way to ruin an otherwise awesome evening and I couldn’t resist. I kept my tone calm, but I had to have a few words with the woman in charge to ask her what the hell she was thinking. As my son might have predicted, I did not change her ways. In fact, she got pretty fucking bitchy about the whole thing. And then I watched as my son shifted from irked—at the booker, at his mother—to the place where he could settle in to enjoying the fact that the show had otherwise been great. 

<p>Meanwhile, the Cadillac? The brakes were so bad, a rotor broke off, and the guys at the $99 brake place walked me around the lift several times, sucking in their breath and, in a manner reminding me of that long ago phlebotomist, saying, over and over, “He’s lucky he made it here alive.”</p>

<p>I said to them, more than once, in the interest of having them stop this behavior since all it was doing was feeding my already anxiety-prone inner neurotic, “Look, we’re here now, let’s just fix it.” Which they did to the tune of $99. Times ten. Really. A thousand bucks for four brakes. Can you imagine? But he’s still my baby, even as I try to let him go, and so of course I ponied up the dough.</p>

<p>When Henry was very little, back when we spent hardly any time apart at all, I was flying away for a work trip. I made another one of my many famous errors, telling him if my plane crashed, I wanted him to carry on, like Simba in the Lion King. My heart was in the right place. But being three, he burst out crying.</p>

<p>I travel a lot these days. A whole lot more than when he was little. Tomorrow I leave for yet another research trip. I will see my son before I go, and I’ll heap on him all sorts of unsolicited, predictable advice about staying safe while I’m gone. And then, as a nod to that long ago parenting error, I will say to him, “You know what to do if I crash, right honey?”</p>

<p>And he will look down at me, since he’s nearly a foot taller, and he will say, in his most excellent, most sarcastic voice, “I know—carry on, my wayward son!” And he would, he will, and I’m certain he’ll be very polite about